An elegant evocation of the poetry and pain of childhood in a small French village before and after WW I. From the vantage point of her 80 years Marokvia recreates and reimagines her often lonely youth. She writes simply but powerfully of life in the isolated village where her father was the town schoolteacher, town secretary, and resident atheist and freethinker. Her mother was often depressed and ill, with little time for her daughter. With her vivid imagination as guide, Marokvia was left to amuse herself and make sense of the confusing adult world, with its contradictory rules and strange behavior. The author confesses that she lost all faith in adults as a five-year- old when the adored family doctor jokingly promised to marry her—and shortly thereafter showed up with a fiancÇe, crushing the hopes of this serious and literal child. The narrative focuses quite a bit on death, and in a fascinating section, Marokvia describes the visitations of a ghostly child that only she sees—this girl eerily resembles a sturdy- looking schoolmate who has recently died from a heart ailment that the frailer Marokvia also suffered from but survived; this mysterious event was to have a lifelong impact on her. Other parts of the memoir are cheerier: her account of escaping over the wall of her boarding school to sit and read with her beloved grandfather; the joy of walking and bicycling through the nearby woods. Marokvia is particularly good at calling up the sights and smells and sounds of small-town France: the rhythm of rural life, the pleasures of a village parade, the excitement of a train trip, and more seriously, the ravages of a bloody war on this life. An unusual book that rewards the reader with its lyric prose and quiet grace.
Pub Date: Oct. 1, 1996
ISBN: 1-878448-72-2
Page Count: 130
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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