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STAR

THE BIRD WHO INSPIRED MOZART

Sweet but of limited appeal to children.

A friendship between two musicians.

Starlings are a species of bird known for their mimicry skills. This picture book, set in 18th-century Vienna, describes the imagined life of a real starling that belonged to Mozart; according to lore, the composer passed a pet store and heard the bird singing one of his pre-published concertos and, charmed, bought the animal. In this book, the bird, later named Star, had previously flown freely around the city, listening to new sounds at various windows (her favorite is Mozart’s), only to be netted by a profit-driven bird catcher and sold to a “dark and noisy bird shop.” She’s finally rescued by Mozart and spends the rest of her life as his beloved pet, possibly inspiring some of his music. The crude illustrations are blocky, with pupil-less eyes, comically stuck-out tongues, and chartreuse-skinned villains (characters have garish skin tones; Mozart himself is purplish-complexioned). While the story is well told, the emotional core is underdeveloped, with the bird kept at a distance. Though adults may understand and appreciate the reference to the Viennese virtuoso, children will likely be less drawn to it, though the goofy pictures will help carry their interest further. Overall this story feels like an interesting historical tidbit unnecessarily lengthened for those few children who are really into birds and/or classical music. (This book was reviewed digitally.)

Sweet but of limited appeal to children. (author’s note) (Picture book. 4-7)

Pub Date: Oct. 11, 2022

ISBN: 978-0-7352-6689-6

Page Count: 36

Publisher: Tundra Books

Review Posted Online: Sept. 13, 2022

Kirkus Reviews Issue: Oct. 1, 2022

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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