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SWING LOW

A LIFE

A powerful portrait of a man who, despite all odds, managed to live a normal life.

A father’s suicide sets the stage for this wrenching account of a man's lifelong battle with mental illness, creatively written in his voice, as imagined by his daughter.

At the age of 17, Mel Toews was diagnosed as suffering from manic depression, now known as bipolar disorder. Psychiatrists warned him he would not be able to live a normal life, yet despite these warnings, he fell in love, got married, reared two daughters, and taught elementary school for more than 40 years in the small town of Steinbach, Manitoba. Mel's ordered life seemed to be a triumph of spirit and self-discipline, yet he often was unable to function, particularly at home (he didn't utter one sound for an entire year). Finally, after a lifetime of struggle, Mel succumbed to the disease and took his own life. During his last days in the hospital, he asked his daughter Miriam to write down words or sentences he hoped would lead him out of his confusion. It was this glimpse into her father’s troubled mind that led her to write a longer account from his point of view. She shows the progression of Mel's deterioration, skillfully entwining in his words the effect of the illness not only on the individual, but also on his family. In expressive, often unrelentingly painful prose, the narration ranges from choppy thoughts to moving passages: “I was caught in a no man's land, paralyzed in a place that lay somewhere in between my past and my future, unable to move or dream or call out for help, or even die.” Mel’s last words to his daughter: “Nothing accomplished.”

A powerful portrait of a man who, despite all odds, managed to live a normal life.

Pub Date: Dec. 1, 2001

ISBN: 1-55970-587-6

Page Count: 208

Publisher: Arcade

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2001

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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  • Pulitzer Prize Finalist

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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