by Mirion Malle ; illustrated by Mirion Malle ; translated by Aleshia Jensen & Isadora Jensen ‧ RELEASE DATE: Aug. 11, 2026
An evocative and raw comic that offers solidarity for survivors of sexual trauma.
In this graphic novel by French cartoonist Malle, a survivor of sexual assault finds power and support from her therapy group.
Clémence is always angry. A 30-year-old survivor of sexual assault, she’s fed up with a system she describes as being rigged against women. Consumed by rage, Clémence admits to her therapist that her other emotions are merely performative, not genuine. Malle’s illustrations punctuate Clémence’s pain by zooming in on parts of her face without showing the whole, even covering up her eyes with speech bubbles, effectively conveying Clémence as fragmented. She joins a therapy group at CALACS, a real sexual assault support center in Quebec, where the other members are introduced with similarly cropped visuals, as juxtaposed with the social workers, who are drawn whole. Other survivors of sexual assault are drawn in a variety of skin colors and ages. During her time with the group, Clémence meets Imane, a lesbian with tattoos on her light brown skin, and the two begin dating. Despite trauma triggers, Clémence and Imane’s relationship is full of warmth as they connect over shared experiences and tattoos. When Imane facilitates dance therapy with Clémence, Malle’s illustrations are squiggly and full of motion, emphasizing Imane’s teachings that therapy is about the feelings, not the aesthetic, so that survivors can safely reconnect the mind to the body. Clémence and other survivors never go into detail about their assaults. Malle instead thoughtfully centers the emotional weight of their trauma and focuses on the growth and change the characters facilitate over the narrative. And as characters journey toward agency, and as Clémence learns to find value in her anger, Malle expands the scope of her framing, showing characters as more whole. Emotions are drawn as wobbly and messy, full of tears and scrunched faces that lay a character’s experiences bare to the reader.
An evocative and raw comic that offers solidarity for survivors of sexual trauma.Pub Date: Aug. 11, 2026
ISBN: 9781770468702
Page Count: 224
Publisher: Drawn & Quarterly
Review Posted Online: June 1, 2026
Kirkus Reviews Issue: July 1, 2026
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BOOK REVIEW
by Mirion Malle ; illustrated by Mirion Malle ; translated by Aleshia Jensen
by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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New York Times Bestseller
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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