The readable style capably delivers a history lesson likely unfamiliar to young readers.



A historical novel for young readers about a girl during Israel’s Six Day War.

Like Mira, the novel’s protagonist, Breen (There’s a Turkey at the Door?, 2011) was a fifth grader in Israel during the Six Day War in 1967. As Breen explains in her author’s note, her own experiences and research were used in writing Mira’s story. With her country on the brink of war, Mira is concerned with ordinary things like homework and the loyalty of her best friend, Gili. Mira has bigger concerns, too. Her father left, and she doesn’t know when or if he will return to live with her and her mother. Mira and Gili defy their parents’ orders and listen to a propaganda radio station that broadcasts out of Cairo. The Voice of Thunder station lends its name to the title of the book and unnerves the two girls with its endless threats. When bombs begin to fall in Israel, the girls must make a harrowing escape from school. Later, after they’ve made it home, they take shelter in the basement with the rest of the residents of their apartment building. There, several days later, they learn via the radio of the reopening of the Western Wall to the people of Israel; on the following Sabbath, Miri and Gili travel to the wall with Gili’s parents and Mira’s father. Breen adeptly juxtaposes the ordinary events of day-to-day life with the more dramatic events of a country on the brink of—and later entering—war. Told in the third person, the novel follows Miri’s story from a somewhat distant remove, though her occasional diary entries help show her own perspective. The language is suitable for elementary school readers, with unfamiliar terms and Hebrew words defined within the text. Though the narrative often attempts to give the dialogue a natural feel, sometimes the efforts to mimic human speech make for awkward reading; for instance, Mira says, “You can’t save—fix the whole world,” and later, she asks, “Just wondering how come, well—why didn’t you ask that there be no war?”

The readable style capably delivers a history lesson likely unfamiliar to young readers.

Pub Date: Aug. 14, 2012

ISBN: 978-1937178178

Page Count: 118

Publisher: WiDo Publishing

Review Posted Online: May 31, 2013

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In the My Name Is America series, Durbin (Wintering, 1999, etc.) offers the story of Sean Sullivan, whose first day in Omaha, Nebraska, brings him face to face with a victim of an Indian attack; the man survived, but carries his bloody scalp in a bucket. It’s August 1897, and Sean has just arrived from Chicago, planning to work with his father on the Intercontinental Railroad. Pa, who carries terrible memories of his stint in the Civil War and of the death three years ago of Sean’s mother, is already a foreman for the railroad, but Sean must start at the bottom, as a water carrier, toting barrels of it to the thirsty men who are doing the back-breaking work on the line. At night, everyone is usually too tired to do anything but sleep, but Sundays are free, and Sean discovers the rough and rowdy world of the towns that seem to sprout up from nowhere along the railroad’s path over the prairie. Through Sean’s eyes, the history of this era and the magnitude of his and his fellow workers’ achievements come alive; Durbin has no trouble making Sean’s world palpable, and readers will slog along with Sean every step of the way on his long and arduous journey to building a railroad and becoming a man. (b&w maps, photos, reproductions) (Fiction. 8-14)

Pub Date: Sept. 1, 1999

ISBN: 0-439-04994-6

Page Count: 192

Publisher: Scholastic

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 1999

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Far more engaging for its history than its story, this novel in the form of a diary never catches fire. The diary is 13-year-old Simone’s, writing from April to July 1838 in New Orleans. Simone and her extended family are “gens de couleur libre”—free people of color—of African and European parentage. Simone is perfecting her English, since French is her usual language; readers glimpse her pampered but insecure existence through her adolescent habits and desires. She loves her beautiful cousin Claire-Marie, as creamy-skinned as her father, a Creole aristocrat who also has a legal wife and children. Simone is fascinated by the slave Azura’s voudou practice, by her father’s stone carving, and most especially by her Tante Madelon, who sweeps in from Paris to visit Simone’s dying grandfather. It may be a weakness of the diary format that too many plot strands are told rather than shown: sibling rivalry among Simone’s mother and aunts; Tante Madelon betraying one niece while assisting another; Claire-Marie’s father abandoning her family with no support; Grandfather’s death bound with some dark family history; Simone’s tentative grasp of the horrors of slavery and her decision to aid Azura’s daughters. The novel is flawed by wispy characterizations and Simone’s whiny voice, but the preface and afterword tell of a fascinating and little-known piece of American history that may draw readers in. (Fiction. 10-14)

Pub Date: Aug. 25, 1999

ISBN: 0-688-16202-9

Page Count: 155

Publisher: Morrow/HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 1, 1999

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