by Mitali Banerjee Ruths ; illustrated by Parwinder Singh ‧ RELEASE DATE: Sept. 14, 2021
This sweet picture book about sharing Diwali will ring true in many households.
Archana—Archie for short—loves Diwali, the Hindu festival of lights.
This year, for the first time, she’s invited her friends Virgil, Nora, and Paisley to her house for her family’s annual Diwali party, which makes her excited but also nervous. Before her friends arrive, she tidies up the rangoli, sets out the diyas, and plugs in the strings of lights around the house. But her family’s preparations make her anxious all over again. What if Dida’s food is too spicy for her friends? Then it starts to pour, ruining all of Archie’s careful decorations. Shortly after her friends arrive, the power goes out, and Archie is sure that this is the worst Diwali ever—until her friends ask her what the holiday is really about. By the end of the party, Archie’s friends aren’t the only ones who develop an appreciation of Diwali: Archie, too, realizes why it’s the most special day of the year. The book’s vivid illustrations utilize a bright color palette that perfectly matches the spirit of the holiday. The storyline is compelling, accurately reflecting the reality of children who celebrate religions outside the mainstream American culture, and it ends in an organic and believable way. Unfortunately, in the afterword, the author does not specify that Diwali is a Hindu celebration, a flattening omission.
This sweet picture book about sharing Diwali will ring true in many households. (Picture book. 4-7)Pub Date: Sept. 14, 2021
ISBN: 978-1-62354-119-4
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: July 13, 2021
Kirkus Reviews Issue: Aug. 1, 2021
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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