"All lonely roads lead back to Music" in this sentimental journey that might be a mashup of the lives of shooting stars like...
At the funeral of guitar superstar Frankie Presto, who disappeared at the peak of his fame, the Spirit of Music looks back on his life from his birth in a church during the Spanish Civil War to his years as “the next Elvis Presley.”
In Albom's latest mystical tale (The First Phone Call from Heaven, 2013, etc.), Francisco's mother dies after giving birth. The newborn is rescued by a nun, but she’s soon overwhelmed and, Moses-like, casts him adrift in the Mijares River, where he's found by Baffa Rubio’s hairless dog. Rubio later runs afoul of Franco’s thugs, and Francisco, only 9, is smuggled from Spain on a tramp freighter by El Maestro, his blind guitar instructor. In London, surviving as a busker, Francisco meets Django Reinhardt when the legendary guitarist is on his way to play with Duke Ellington in America. Francisco travels with him, his talent soon to earn international acclaim. Though a guitar virtuoso, Francisco neglects the beloved instrument to become a pop star, joining the glitterati. The moral? "Fame is addictive." Over decades, Francisco meets a litany of musicians, including Roger McGuinn, Burt Bacharach, Tony Bennett, and Paul Stanley of KISS, who reminisce in separate chapters while Music (imagine James Earl Jones reading poetry) spins out Francisco’s life story. There are occasional odd descriptive phrases like "with hair the color of dark grapes," but Albom can elicit tears when he writes about loss, and he has fun with you-are-there butterfly-effect anecdotes, as when Francisco tells Hank Williams not to buy a baby blue Cadillac, the car in which he would ride to his death.
"All lonely roads lead back to Music" in this sentimental journey that might be a mashup of the lives of shooting stars like Bobby Darin or Ricky Nelson.Pub Date: Nov. 10, 2015
ISBN: 978-0-06-229441-8
Page Count: 400
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 17, 2015
Kirkus Reviews Issue: Sept. 1, 2015
An unusual but imperfectly realized blend of trivia and tragedy.
A wine expert in training visits her family’s vineyard in Burgundy only to discover a cellar full of secrets.
Kate Elliott, a San Francisco sommelier and daughter of a French expatriate, is preparing for a notoriously difficult wine-tasting exam. If she passes (most don’t), she will be one of a tiny cadre of certified Masters of Wine worldwide. She has repeatedly flunked the test; her weakness is French whites, so some serious cramming at Domaine Charpin, her ancestral vineyard, is in order. There, Kate rejoins Heather, her best friend from college, who married her cousin Nico, the Domaine’s current vintner. Kate herself almost wed a vigneron, Nico’s neighbor Jean-Luc, but feared being trapped in domesticity. Decluttering the family caves, Kate and Heather discover the World War II–era effects of one Hélène Charpin—her great half-aunt, Kate learns. Why, then, do the Charpins, particularly dour Uncle Philippe, seem determined to excise Hélène from family memory? Interspersed with Kate’s first-person narration are excerpts from Hélène’s wartime diary, which her descendants have yet to find. A budding chemist whose university plans were dashed by the German invasion of France, Hélène and her best friend, Rose, who is Jewish, are recruited by the Resistance. Hélène’s father, Edouard, is also a Résistant, unbeknownst to her stepmother, who embraces the new status quo. In the present, the little Kate is able to glean from the historical archives reveals that Hélène was punished as a collaborator, one of the women whose heads were shaved, post-Occupation, as a badge of shame. An extensive subplot, concerning a hidden wine cache and another sommelier’s duplicity, adds little, whereas the central question—what is up with the Charpins?—is sadly underdeveloped. The apparent estrangement not only between the Charpins and Philippe’s sister Céline, Kate’s mother, but between mother and daughter remains unexplored. Wine buffs will enjoy the detailed descriptions of viticulture and the sommelier’s art. Mah deserves credit at least for raising a still-taboo subject—the barbaric and unjust treatment of accused female collaborators after the Allied liberation of France.
An unusual but imperfectly realized blend of trivia and tragedy.Pub Date: June 19, 2018
ISBN: 978-0-06-282331-1
Page Count: 384
Publisher: Morrow/HarperCollins
Review Posted Online: April 2, 2018
Kirkus Reviews Issue: April 15, 2018
BOOK REVIEW
BOOK REVIEW
You will never forget Shuggie Bain. Scene by scene, this book is a masterpiece.
Alcoholism brutally controls the destiny of a beautiful woman and her children in working-class Scotland.
The way Irvine Welsh’s Trainspottingcarved a permanent place in our heads and hearts for the junkies of late-1980s Edinburgh, the language, imagery, and story of fashion designer Stuart’s debut novel apotheosizes the life of the Bain family of Glasgow. Stunning, raven-haired Agnes Bain is often compared to Elizabeth Taylor. When we meet her in 1981, she’s living with her parents and three “weans” in a crowded high-rise flat in a down-and-out neighborhood called Sighthill. Her second husband, Hugh "Shug" Bain, father of her youngest, Shuggie, is a handsome taxi driver with a philandering problem that is racing alongside Agnes’ drinking problem to destroy their never-very-solid union. In indelible, patiently crafted vignettes covering the next 11 years of their lives, we watch what happens to Shuggie and his family. Stuart evokes the experience of each character with unbelievable compassion—Agnes; her mother, Lizzie; Shug; their daughter, Catherine, who flees the country the moment she can; artistically gifted older son Leek; and the baby of the family, Shuggie, bullied and outcast from toddlerhood for his effeminate walk and manner. Shuggie’s adoration of his mother is the light of his life, his compass, his faith, embodied in his ability to forgive her every time she resurrects herself from a binge: “She was no use at maths homework, and some days you could starve rather than get a hot meal from her, but Shuggie looked at her now and understood this was where she excelled. Everyday with the make-up on and her hair done, she climbed out of her grave and held her head high. When she had disgraced herself with drink, she got up the next day, put on her best coat, and faced the world. When her belly was empty and her weans were hungry, she did her hair and let the world think otherwise.” How can love be so powerful and so helpless at the same time? Readers may get through the whole novel without breaking down—then read the first sentence of the acknowledgements and lose it. The emotional truth embodied here will crack you open.
You will never forget Shuggie Bain. Scene by scene, this book is a masterpiece.Pub Date: Feb. 11, 2020
ISBN: 978-0-8021-4804-9
Page Count: 416
Publisher: Grove
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
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