From deep inside the man’s head there’s no denying the completeness of his transformation, but even so the brutality of the...
Taking a thread from his last novel, The Cosmology of Bing (2001), for his fifth, Cullin uses a true story and his true gift for grit to record the unraveling of a high-school English teacher as he moves a bit too inexorably from heterosexual family life to a gay nightlife, and ultimately to murder.
In a beginning reminiscent of a Terry Gilliam movie, the reader stands on the edge of a world of subterraneans: furtive characters emerging from their sewer- and drain-pipes only long enough to find food and firewood. But the futuristic feel quickly falls away, revealing the city of Phoenix just over the saguaro-studded hill, and one man comes to the fore. Nameless, befriended by a kindly crazy with an idea about zippered cattle as a perfect food source, “the man” sleeps badly and remembers too well. First, he reveals his former middle-class life: nice wife, two great kids, a job he loves. But his wife’s not interested in sex anymore, so night after night, the family asleep, he prowls—first just driving, then visiting the backrooms of an adult bookstore, where he discovers the delights of the “glory holes,” and finally to the dimly lit public toilet in a Phoenix park where the real action is. But an undercover cop is murdered there while the man is busy in a stall, and his double life is undone. Feeling guilty about having bolted the scene (and perhaps about his other secrets as well), he agonizes over what to do, and decides to tell his name and story to the police—an act that instantly makes John Connor a prime suspect. He hides among the homeless, hoping to find his partner from the night of the murder, who can vouch for him. By luck he does, but instead of redemption Connor winds up with another murder on his hands.
From deep inside the man’s head there’s no denying the completeness of his transformation, but even so the brutality of the endgame here seems to go a step too far.Pub Date: Sept. 1, 2002
ISBN: 1-57962-077-9
Page Count: 166
Publisher: Permanent Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2002
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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