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UNDERSURFACE

From deep inside the man’s head there’s no denying the completeness of his transformation, but even so the brutality of the...

Taking a thread from his last novel, The Cosmology of Bing (2001), for his fifth, Cullin uses a true story and his true gift for grit to record the unraveling of a high-school English teacher as he moves a bit too inexorably from heterosexual family life to a gay nightlife, and ultimately to murder.

In a beginning reminiscent of a Terry Gilliam movie, the reader stands on the edge of a world of subterraneans: furtive characters emerging from their sewer- and drain-pipes only long enough to find food and firewood. But the futuristic feel quickly falls away, revealing the city of Phoenix just over the saguaro-studded hill, and one man comes to the fore. Nameless, befriended by a kindly crazy with an idea about zippered cattle as a perfect food source, “the man” sleeps badly and remembers too well. First, he reveals his former middle-class life: nice wife, two great kids, a job he loves. But his wife’s not interested in sex anymore, so night after night, the family asleep, he prowls—first just driving, then visiting the backrooms of an adult bookstore, where he discovers the delights of the “glory holes,” and finally to the dimly lit public toilet in a Phoenix park where the real action is. But an undercover cop is murdered there while the man is busy in a stall, and his double life is undone. Feeling guilty about having bolted the scene (and perhaps about his other secrets as well), he agonizes over what to do, and decides to tell his name and story to the police—an act that instantly makes John Connor a prime suspect. He hides among the homeless, hoping to find his partner from the night of the murder, who can vouch for him. By luck he does, but instead of redemption Connor winds up with another murder on his hands.

From deep inside the man’s head there’s no denying the completeness of his transformation, but even so the brutality of the endgame here seems to go a step too far.

Pub Date: Sept. 1, 2002

ISBN: 1-57962-077-9

Page Count: 166

Publisher: Permanent Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2002

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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