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CARRY ME DOWN

A close, creepy, masterly exploration of a shattered preadolescence.

A child-man is ripped by forces beyond his control.

Set in the Irish countryside circa 1972, Hyland’s narrative begins as 11-year-old narrator and only child John Egan, home from school for the Christmas holiday, begins to notice a change in his parents’ interactions with him. John has grown alarmingly large for his age, nearly as big as a man, and his beloved mother, a community puppeteer, no longer wants to coddle and kiss him. His father is unemployed and reads philosophy all day, hoping to take exams at Trinity in Dublin. As a result of his lack of income, the family has to move in with Granny, a greedy, disgusting creature who aims to spend her inherited money rather than give it to her kin. John, who devours the Guinness Book of World Records and believes he can set a record himself as a human lie detector, catches his family in a series of falsehoods: Granny gambles and hides the money she wins, all the while plotting to eject the dependent family; his father sleeps on the bedroom floor and harbors secret feelings of shame and anger; his mother tricks John into seeing a doctor and teacher about his distressing early pubescence. John is teased mercilessly at school, though a new teacher, Mr. Roche, proves to be a godsend. The tensions in the cottage gain a dangerous ascendancy and eventually explode when Granny and John’s father argue. The family is ejected to Dublin, where they must move into the depressing, filthy housing project of Ballymun; their disintegration is horribly achieved. As in her first novel, How the Light Gets In (2004), Hyland demonstrates a mature sense of characterization and suspense in a thoroughly engaging narrative.

A close, creepy, masterly exploration of a shattered preadolescence.

Pub Date: March 12, 2006

ISBN: 1-84195-740-2

Page Count: 352

Publisher: Canongate

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2006

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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