A lush story dressed in upscale detail and brand names, with a tight pace and silky surface. Underneath the surface, though,...
Courtroom drama adds texture and suspense to Rose’s third tale (In Fidelity, 2001, etc.) of crime, lust, and obsession.
Documentary filmmaker Genny Haviland stands accused of murdering her lover Slade Gabriel, a brilliant but volatile modern painter. Genny’s first-person account of the 1992 trial counterpoints flashbacks spanning 20 years. The two first meet in 1972, when Gabriel is installing a new exhibit at the respected Haviland Gallery on 57th Street, owned by Genny’s imperious father Jonathan. Gabriel, 37, flirts outrageously with Genny, 17, unaware either of her age or her surname. (The elder Havilands are vacationing in Europe.) He thinks she’s a twentysomething graduate student working at the gallery, and she does nothing to disabuse him as the dark and passionate Gabriel sweeps unworldly but adventurous Genny off her feet. Their torrid affair ends only when discovery by her father seems inevitable. Genny goes on to a successful professional life and an unfulfilled personal one (failed marriage and no children), but she never tells her father about her relationship with Gabriel, who prospers at the Haviland Gallery. The spark is rekindled after Gabriel and Haviland are in a serious car accident. Gabriel’s injuries trigger a downward slide that, Genny later asks the jury (and the reader) to believe, led her to an assisted suicide rather than a murder. The prosecution is led by ruthless DA Linda Zavidow, who portrays the crime as part revenge, part family loyalty. Gabriel planned (or maybe only threatened) to leave Haviland for a trendier rival gallery after Haviland was implicated in a forgery scandal. Zavidow delights in introducing potentially salacious aspects of Genny’s life that include an abortion, an inappropriately intimate relationship with her father, and a dash of lesbianism, all presented as allegations that keep the reader guessing.
A lush story dressed in upscale detail and brand names, with a tight pace and silky surface. Underneath the surface, though, is just more surface.Pub Date: July 1, 2002
ISBN: 0-345-45104-X
Page Count: 304
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.Pub Date: July 26, 2016
ISBN: 978-1-101-90422-0
Page Count: 352
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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