Much déjà vu about nothing.

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SEDUCTION

Rose (The Book of Lost Fragrances, 2012, etc.) fails to breathe new life into her latest offering, which includes themes and characters introduced in previous stories and rehashes discussions about reincarnation, Jungian psychology and olfactory sensations.

Mythologist Jac L’Etoile, a woman with a troubled past, is contacted by former fellow mental patient Theo Gaspard, who also has a troubled past. Theo’s family home is on the Isle of Jersey, and Theo invites Jac to the island to view some mysterious discoveries he’s made. Against her therapist’s wishes, Jac journeys to the island, where she meets Theo’s elderly aunts, both with—what else?—troubled pasts, and Ash, Theo’s estranged and, yes, troubled brother. In the 1850s, the Isle of Jersey becomes Victor Hugo’s residence-in-exile and Hugo, troubled by his daughter Didine’s death, becomes obsessed with trying to communicate with her through séances. He also smokes hashish, which could explain his claim that he communicates with many of history’s greatest souls, including Jesus and Shakespeare. One evening, Hugo meets Fantine, a mysterious, troubled young woman from a family of perfumers who recently lost a child, and he becomes obsessed with her. Switch to 56 B.C., when a tribe of Druids also occupies the Isles—right on the property belonging to Theo. Owain, the high priest, his wife and child live a pretty normal Druid life until he and the other priests have troubling visions that they believe Owain must fulfill in order to save the tribe. Meanwhile, in 1855, Hugo’s having his own problems: He’s wrangling with the Shadow of the Sepulcher, aka Lucifer, who’s made him a pretty sweet offer. And then there’s Jac in present-day life: She’s suffering dizzy spells, being bombarded by different smells, experiencing overwhelming feelings of dread and calling out weird names. One of the aunts ties a ribbon around her wrist to keep Jac from slipping away to heaven-knows-where, and it seems to do the trick. As the author switches back and forth between the very distant past, the sort-of-distant past and the present, she finally connects all the troubled characters (long after the reader’s managed to do so) and brings the book to a close—but not before Jac, her hosts and therapists have protracted discussions about reincarnation and the collective unconscious.

Much déjà vu about nothing.

Pub Date: May 7, 2013

ISBN: 978-1-4516-2150-1

Page Count: 384

Publisher: Atria

Review Posted Online: March 17, 2013

Kirkus Reviews Issue: April 1, 2013

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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