by M.J. Rose ‧ RELEASE DATE: Aug. 1, 2004
Far from prurient but also far from thrilling, like a femme and somewhat toned-down Jonathan Kellerman entry.
Rose (Sheet Music, 2003, etc.) launches a series starring Dr. Morgan Snow, who, here, gets roped into a case involving a serial killer and a high-price prostitute.
Snow is a career sex therapist at the Butterfield Institute, sort of like a Hall of Justice for people in this field. There’s a murderer on the loose, one of those ritualistic types so beloved of novelists—against whose baroque fantasies real-life murderers seem so prosaic and unimaginative—who likes to dress prostitutes up as nuns and violate them horribly before delivering the coup de grâce. This brings NYPD detective Noah Jordain into Morgan’s orbit, looking for advice. Fortunately for the newly single Morgan, he’s not at all bad-looking and seems like a normal guy. But things start to go haywire when one of Morgan’s clients, Cleo Thane, goes missing. Cleo is an expensive call girl who services the city’s mighty and powerful; thing is, she also wants to publish a tell-all biography: she’s used pseudonyms, but her privacy-demanding clients are still rather easy to identify, meaning that there’s a virtual laundry list of men with the desire and means to off Cleo. And, wouldn’t you know it, it’s not long before Morgan is dressing like a call girl in order to get close to some of the suspects. Rose treats this doubling device (the therapist and prostitute being shown as two different sides of the same “I’ll-listen-to-your-problems-and-try-and-give-relief-for-money” kind of work) as though it were brand-new, when in fact it’s almost as tired as the one where a killer tells an obsessive cop, “You’re just like me.” Although the characters are interesting enough, if stock, and the end result is at least moderately entertaining, Rose has a tendency to run on . . . and on. A good third of her story is just spinning wheels.
Far from prurient but also far from thrilling, like a femme and somewhat toned-down Jonathan Kellerman entry.Pub Date: Aug. 1, 2004
ISBN: 0-7783-2080-4
Page Count: 352
Publisher: Harlequin MIRA
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
Share your opinion of this book
More by Sofia Lundberg
BOOK REVIEW
BOOK REVIEW
edited by M.J. Rose & Fiona Davis
BOOK REVIEW
by M.J. Rose
by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Share your opinion of this book
More by Kathy Reichs
BOOK REVIEW
by Kathy Reichs
BOOK REVIEW
by Kathy Reichs
BOOK REVIEW
by Kathy Reichs
by Caitlin Mullen ‧ RELEASE DATE: March 3, 2020
A lyrical, incisive, and haunting debut.
In Atlantic City, the bodies of several women wait to be discovered and a young psychic begins having visions of terrible violence.
They are known only as Janes 1 through 6, the women who have been strangled and left in the marsh behind the seedy Sunset Motel. They wait for someone to miss them, to find them. That someone might be Clara, a teenage dropout who works the Atlantic City strip as a psychic and occasionally has visions. She can tell there's something dangerous at work, but she has other problems. To pay the rent, she begins selling her company, and then her body, to older men. One day she meets Lily, another young woman who'd escaped the depressing decay of Atlantic City for New York only to be betrayed by a man. She’s come back to AC because there’s nowhere else to go, and she spends her time working a dead-end job and drinking herself into oblivion. Together, Clara and Lily may be able to figure out the truth—but they will each lose something along the way. Mullen’s style is subtle, flowing; she switches the narrative voice with each chapter, giving us Clara and Lily but also each of the victims. At the heart of the novel lies the bitter observation that “Women get humiliated every day, in small stupid ways and in huge, disastrous ones.” Mullen writes about all the moments that women compromise themselves in the face of male desire and male power and how they learn to use sex as commerce because “men are always promised this, no matter who they are.” The other major character in the novel is Atlantic City itself: fading; falling to ruin; promising an old sort of glamour that no longer exists; swindling sad, lonely people out of their money. This backdrop is unexpected and well rendered.
A lyrical, incisive, and haunting debut.Pub Date: March 3, 2020
ISBN: 978-1-9821-2748-0
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Share your opinion of this book
More About This Book
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.