The mystery is twisty, unpredictable, and ultimately satisfying.
As the plague grips London, Christopher Marlowe tries to solve the murder of a theatrical rival.
In 1592, “The Pestilence” is beginning to creep into the city of London. Playwright and sometime sleuth Kit Marlowe (Queen’s Progress, 2018, etc.) is preparing a new production, The Massacre at Paris, when he gets an eerie letter from playwright Robert Greene, who’s recently died under mysterious circumstances. The intensely curious Marlowe can’t help visiting Greene’s boardinghouse and even digging up his grave. His conclusion: “Murder, most foul.” Marlowe enlists the aid of the Queen’s Magus, John Dee, in confirming that Greene was poisoned. Even with the approaching opening of his play, Marlowe’s driven by his compulsion to learn the truth about the death of Greene, who’d been increasingly eccentric and reclusive in recent years. Marlowe revisits Cambridge, where he and Greene were fellow students, for some insight. Dr. Gabriel Harvey claims to have been in attendance shortly after Greene died, reportedly from an overindulgence of wine and herring. But when Marlowe explains that Greene was poisoned, Harvey’s reaction is odd. The deeper significance of this reaction is impressed on Marlowe when, shortly after their meeting, he’s attacked and passes out. From that point on, there’s no turning back from his search for the truth, which is aided considerably by his chance meeting with Richard, an industrious orphan lad. Meanwhile, as plague creeps into the city, the theaters are closed, threatening Marlowe’s livelihood. Trow’s 10th Elizabethan mystery delights with its knowledge of 16th-century theater and its large cast of real-life characters like William Cecil, Richard Burbage, and the murder victim himself.
The mystery is twisty, unpredictable, and ultimately satisfying.Pub Date: July 1, 2019
ISBN: 978-1-78029-116-1
Page Count: 224
Publisher: Severn House
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
As in summer movies, a triple dose of violence conceals the absence of real menace when neither victims nor avengers stir...
Dr. Alex Cross has left Metro DC Homicide for the FBI, but it’s business as usual in this laughably rough-hewn fairy tale of modern-day white slavery.
According to reliable sources, more people are being sold into slavery than ever before, and it all seems to be going down on the FBI’s watch. Atlanta ex-reporter Elizabeth Connolly, who looks just like Claudia Schiffer, is the ninth target over the past two years to be abducted by a husband-and-wife pair who travel the country at the behest of the nefarious Pasha Sorokin, the Wolf of the Red Mafiya. The only clues are those deliberately left behind by the kidnappers, who snatch fashion designer Audrey Meek from the King of Prussia Mall in full view of her children, or patrons like Audrey’s purchaser, who ends up releasing her and killing himself. Who you gonna call? Alex Cross, of course. Even though he still hasn’t finished the Agency’s training course, all the higher-ups he runs into, from hardcases who trust him to lickspittles seething with envy, have obviously read his dossier (Four Blind Mice, 2002, etc.), and they know the new guy is “close to psychic,” a “one-man flying squad” who’s already a legend, “like Clarice Starling in the movies.” It’s lucky that Cross’s reputation precedes him, because his fond creator doesn’t give him much to do here but chase suspects identified by obliging tipsters and worry about his family (Alex Jr.’s mother, alarmed at Cross’s dangerous job, is suing for custody) while the Wolf and his cronies—Sterling, Mr. Potter, the Art Director, Sphinx, and the Marvel—kidnap more dishy women (and the occasional gay man) and kill everybody who gets in their way, and quite a few poor souls who don’t.
As in summer movies, a triple dose of violence conceals the absence of real menace when neither victims nor avengers stir the slightest sympathy.Pub Date: Nov. 5, 2003
ISBN: 0-316-60290-6
Page Count: 400
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2003
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