A saga dark in aspect, rich in detail and mythic in dimension.
Even during wartime, the more dangerous enemies do indeed sleep within King Arthur’s own household.
The second in Hume’s (Dragon’s Child, 2013) King Arthur trilogy (previously published outside the United States between 2009 and 2010) begins on the battlefield but ends on the more treacherous field of the court itself. The first half is rife with tales of warriors, vengeance, bloodthirsty deeds and clever military strategizing. Artor (as he's called in the book) fights to regain lands lost to the Saxons and to unite Briton. He must overthrow Glamdring Ironfist, whose rash, brutal behavior contrasts sharply with Artor’s thoughtful attention to both tactical trickery and political acumen. Glamdring believes that his possession of the Arden knife will bring him victory. Little does he know that the true knife is a living man, a slave within his own fortress. The second half of Hume’s tome is a tale of domestic troubles, jealousies and cruelties. Urged to produce an heir, Artor must stifle memories of his beloved first wife and marry the vain Wenhaver. The appearance of the shadowy and deliciously evil figure of Morgan on the eve of their betrothal ratchets up the tension. Wenhaver’s explosions of temper, however, threaten not only the marriage bed, but also Artor’s tenuous hold over the kingdom. Yet, an even more sinister force roams the kingdom, viciously assaulting animals, children and women. Artor must find the villain and punish him without compromising his own honor or resurrecting the memory of his evil father, Uther Pendragon. As with her Merlin trilogy, Hume’s passion for legend begets a deep text. Each character—including the imposing Myrddion Merlinus; his apprentice Nimue; the scrappy former slave Bedwyr; and the noble Targo—is fully drawn, with secrets, desires and often noble hopes. The dialogue fittingly shifts from stilted formalities to raw insults.
A saga dark in aspect, rich in detail and mythic in dimension.Pub Date: Jan. 7, 2014
ISBN: 978-1-4767-1520-9
Page Count: 512
Publisher: Atria
Review Posted Online: Oct. 19, 2013
Kirkus Reviews Issue: Nov. 1, 2013
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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