A moody and effective missing-person mystery-thriller.
In Barrs’ novel, a former reporter investigates the case of a missing 10-year-old girl.
When young Rose Willwood disappears from the central Missouri town of Walkers Corner, the various alerts that result attract the attention of unemployed reporter Vicky Robeson. She was fired three months ago from her job at a local TV news station and is currently enjoying her unstructured time with her boyfriend, Pete Harris, in Colorado, but she has a history with Walkers Corner. Nine years earlier, she worked on the story of a little girl named Lisa Dee, who’d been found walking alone, covered in blood, very close to where Rose recently went missing. Wondering if there’s a connection between the two cases—and seeking some kind of closure—Vicky and Pete travel to the small town, where a massive search is underway to find the missing girl (and where, as Vicky reflects, “she’d lived when everything in her life jumped tracks”). Once in town, Vicky reconnects with her former newsroom colleague Kerry James to bring herself up to speed on the case; the more she investigates, the more she seems to be putting herself in danger. Barrs unfolds her tale with practiced ease, deploying an effective array of red herrings to keep readers guessing along the way. She also increases the narrative tension by periodically shifting the point of view. As a result, readers get to hear from a variety of perspectives, including the little girls themselves, and the sometimes-conflicting tales feature tiny extra clues scattered throughout. As characters, Vicky and Pete occasionally feel underdeveloped, but readers will nevertheless become involved in Vicky’s quest for personal redemption.
A moody and effective missing-person mystery-thriller.Pub Date: Sept. 25, 2023
ISBN: N/A
Page Count: 352
Publisher: Wild Rose Press
Review Posted Online: Oct. 30, 2023
Kirkus Reviews Issue: Dec. 15, 2023
Review Program: Kirkus Indie
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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