by Mo Rocca & Jonathan Greenberg illustrated by Mitch Butler ‧ RELEASE DATE: Nov. 5, 2019
A spicy blend of humor, irony, wit, facts, fable, and heart.
The creator of the Mobituaries podcast fleshes out that material and also includes a wealth of supplementary essays and other new information.
Writing with Greenberg (English/Montclair State Univ.; The Cambridge Introduction to Satire, 2019, etc.), CBS Sunday Morning correspondent Rocca (All the Presidents’ Pets, 2004) displays his eclectic interests, ranging from Lord Byron, who makes two separate appearances, to the New Jersey Turnpike service areas. Most major sections feature a “mobituary,” which is a lament, sometimes serious, sometimes ironic, sometimes amusing, for someone or something no longer with us. Among these are Thomas Paine, the original Siamese twins, medieval medical practices, Prussia (“always coming up in the context of wanton militarism, which made me think…I’m pretty sure it must be German”), the idea of homosexuality as a mental illness, Billy Carter, Farrah Fawcett, and myriads more. Following most of the mobituaries is a section dealing with cases similar to the one(s) he has just discussed. His section on people confused for each other shows his playful sense of humor—e.g., he includes Joan of Arc and actress Joan Van Ark. As his lengthy Works Consulted testifies, Rocca has done his homework: His sources include not only biographies and histories, but also interviews (where possible) with the people involved. Occasionally, a small error intrudes—Mary Godwin was not yet Mary Shelley when she began work on Frankenstein—but the research is generally sound throughout. Though much of the tributes are funny and wry, others are quite moving (Sammy Davis Jr., a “supernova talent”). Rocca also reminds us of some long-forgotten figures—comedian Vaughn Meader, for example, who rocketed to fame with his John F. Kennedy impersonations and then plummeted after JFK’s death. Political attitudes are sometimes patent, sometimes not.
A spicy blend of humor, irony, wit, facts, fable, and heart.Pub Date: Nov. 5, 2019
ISBN: 978-1-50-119762-8
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: Sept. 28, 2019
Kirkus Reviews Issue: Oct. 15, 2019
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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