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TIME TO SAY PLEASE!

After it’s Time to Pee (2003), apparently it’s time to learn manners. The swarms of placard-bearing mice who cheered children through the agonies of toilet training return, this time to instruct them in the basics of etiquette: “If you every really want something, / . . . PLEASE say ‘PLEASE’!” Floating on balloons, skydiving in, screeching through in ambulances, the helpful mice demonstrate the many situations where “please” might be appropriate, as well as the utility of “excuse me,” “sorry” (“But you have to mean it!”), and “thank you.” As in his previous offering, Willems delivers an entirely kid-centered lesson, with the occasional gentle dose of reality: “You may not get what you want.” After asserting that, “you can never say please too often,” a little girl who has just successfully gotten a cookie holds up a placard of her own as the mice entreat her to share with some 30 plus iterations of the magic word: “Then again, maybe you CAN.” The zany antics of the mice compel close—and repeated—readings, and the inevitable question: Please, sir, may we have some more? (Picture book. 3-6)

Pub Date: June 8, 2005

ISBN: 0-7868-5293-3

Page Count: 40

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2005

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GUESS HOW MUCH I LOVE YOU

POP-UP

The book is available in just about every format--but this is the perfect one.

It's hard to believe that a pop-up wasn't the creators' original intention, so seamlessly do moveable parts dovetail into this modern classic's storyline.

In contrast to the tale's 1998 pop -up version, the figures here move on every page, and with an unusually graceful naturalism to boot. From pulling down Big Nutbrown Hare's ears on the opening spread to make sure he's listening to drowsily turning his head to accept a final good-night kiss in a multi-leveled pull-down tableau at the close, all of Little Nutbrown Hare's hops, stretches and small gestures serve the poetically spare text—as do Big Nutbrown's wider, higher responses to his charge's challenges. As readers turn a flap to read Big Nutbrown's "But I love you this much," his arms extend to demonstrate. The emotional connection between the two hares is clearer than ever in Jeram's peaceful, restrained outdoor scenes, which are slightly larger than those in the trade edition, and the closing scene is made even more intimate by hiding the closing line ("I love you right up to the moon—and back") until an inconspicuous flap is opened up.  

The book is available in just about every format--but this is the perfect one. (Pop-up picture book. 3-6)

Pub Date: Sept. 13, 2011

ISBN: 978-0-7636-5378-1

Page Count: 16

Publisher: Candlewick

Review Posted Online: Sept. 21, 2020

Kirkus Reviews Issue: Nov. 1, 2011

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OLIVER AND HIS EGG

Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...

Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.

“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.

Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)

Pub Date: July 1, 2014

ISBN: 978-1-4231-7573-5

Page Count: 40

Publisher: Disney-Hyperion

Review Posted Online: May 18, 2014

Kirkus Reviews Issue: June 1, 2014

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