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WHO IS THE MYSTERY READER?

From the Unlimited Squirrels series

Delightfully on-brand. Kids will book it to the shelves for this one.

The Unlimited Squirrels return for a metafictive romp—hooray!

Carrying a copy of the book (yes, this book), one squirrel asks “Who is the MYSTERY READER?” The others respond, one after another: “Let’s. Read. And. Find out!” So begins this sequel to I Lost My Tooth! (2018), a brilliant, 96-page laugh track composed of four stories and three “acorn-y” jokes. In the first story, the squirrels struggle to decode the letters of a stop sign. Thankfully, the heroic Mystery Reader arrives on the scene—complete with mask and underpants—to help them sound out their letters: “Ssssttt… / …OP!” The second story includes a brief history of writing systems (and a web address for further info); the third divulges “Mo Squirrel’s” own writing process. Though narratively all over the place (in a good way), this takes the self-referential torch from We Are in a Book! (2010) and highlights the next step up in reading development. Willems’ high-interest presentation and formula create a familiar, entertaining format that combines fact, fiction, and plenty of squirrels. The text complexity is similar to that found in the Elephant and Piggie books, but there are more color-coded dialogue bubbles per page. Willems also employs “emote-acorns” to highlight characters’ emotions. Readers may never find out who the Mystery Reader is, but, in the process of investigating, they just might sound out their own reading superpowers!

Delightfully on-brand. Kids will book it to the shelves for this one. (Early reader. 5-8)

Pub Date: Oct. 1, 2019

ISBN: 978-1-368-04686-2

Page Count: 96

Publisher: Hyperion

Review Posted Online: July 23, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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THE TRUTH ABOUT THE COUCH

Funny and thought provoking.

The hidden history of one of the world’s most popular pieces of furniture.

An anthropomorphized fox in a purple jacket and green pants stands on a stage, showcasing various kinds of sofas and what they’re used for: eating, sleeping, dance parties, and sliding down pillows. Just as the fox is about to provide a demonstration of that last activity, complete with a drawing, an opossum in a gray pinstriped suit emerges: “You can’t show that to children! Someone could break their neck!” Using a tape dispenser–like machine, the opossum covers up the offending image with a black censor bar. The fox continues to expose “truths” about couches: Some of them grow on farms (“Where do you think we got the term couch potato?”); they have an insatiable hunger, which leads to objects disappearing among the cushions; and some are actually aliens in disguise. The opossum is skeptical, but when a chaotic parade of couches enter the scene to prove the fox right, the opossum is forced to reconsider. This is a hilarious send-up of conspiracy theories and adults’ attempts to shelter children from the real world. Depicting elegantly attired creatures, Liniers’ muted artwork contrasts humorously with the surreal scenarios depicted. The dialogue between the fox and opossum is entertaining, but grown-ups might want to pre-read before read-alouds to avoid tripping over some phrasing (e.g., “secret elite couch enforcement squadron”).

Funny and thought provoking. (Picture book. 5-8)

Pub Date: April 23, 2024

ISBN: 9780593619131

Page Count: 48

Publisher: Putnam

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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