Caring and sharing drive this charming tale.
A grieving child finds a reason to celebrate on Eid al-Adha.
It’s Eid al-Adha, Sami’s favorite holiday. Every year Sami’s family goes to a carnival, but he’s having trouble getting into the spirit of things this year, because his grandfather recently passed away. Just as his family is getting ready to leave for the Eid prayer at the mosque, Sami’s parents reveal a surprise gift from his grandmother in Türkiye: his grandpa’s favorite Eid necktie! After the prayer, it’s time to head to the carnival, but first the family stops by a homeless shelter where they volunteer. A young refugee sees Sami’s tie and is wistfully reminded of his favorite toy. Sami reflects on his own blessings and decides that giving will bring as much joy as receiving. Focusing on a holiday that’s less widely written about than Ramadan, Yuksel makes an important contribution, penning a story that’s both a mirror for young Muslims and a window for those unfamiliar with Muslim traditions. The message of giving generously and showing gratitude shines through. Sönmezay’s illustrations are soft and spare in some places and richly detailed in others, with the expressiveness of the characters sweetly captured on each page. Sami and his family are Turkish; his community is a diverse one, and the little boy Sami helps is light-skinned. An author’s note thoughtfully provides additional context about Eid al-Adha and homeless shelters.
Caring and sharing drive this charming tale. (glossary) (Picture book. 4-8)Pub Date: April 16, 2024
ISBN: 9781623542962
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: Jan. 20, 2024
Kirkus Reviews Issue: Feb. 15, 2024
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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SEEN & HEARD
SEEN & HEARD
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
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