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THE BLUE SCARF

Name: THE BLUE SCARF
Author: Mohamed Danawi
ISBN: 978-0-7624-7889-7

by Mohamed Danawi ; illustrated by Ruaida Mannaa ‧ RELEASE DATE: Oct. 4, 2022

A well-meaning lesson in acceptance and identity overshadowed by flattening and problematic cultural depictions.

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Seeking a beloved lost belonging, Layla embarks on a journey.

Layla, a blue-skinned, dark-haired girl, enjoys an idyllic childhood in the world of Blue. When fire falls from the sky and carries away the treasured scarf her mother gave her, she sails across the sea in search of it. In the worlds of Green, Yellow, Red, Orange, and Purple (where cultural symbols and attire imply European, Middle Eastern, Asian, African, and Latin American settings respectively), the inhabitants, uninterested in other colors, send her away. But when she arrives in the Rainbow world, the people, who are diverse in skin tone, help her find the object (a note at the end makes clear that the scarf symbolizes identity). As she wraps herself in the scarf, she is welcomed to a new, more accepting land. Though the artwork is attractive, with graphic shapes and shaded textures, the stereotypical imagery is jarring—in the world of Red, Layla meets East Asian people with lines for eyes, including a geishalike figure, along with a dragon and a tiger; in the world of Orange, she encounters Black people wearing tribal marks and masks in a desert landscape as well as a monkey, a giraffe, and a cheetah. While the rather simplistic messages of inclusivity and embracing one’s identity may resonate with readers, they are lost amid the illustrations, which distill these rich cultures down to the level of cliché. (This book was reviewed digitally.)

A well-meaning lesson in acceptance and identity overshadowed by flattening and problematic cultural depictions. (Picture book. 4-7)

Pub Date: Oct. 4, 2022

ISBN: 978-0-7624-7889-7

Page Count: 48

Publisher: Running Press Kids

Review Posted Online: Sept. 13, 2022

Kirkus Reviews Issue: Oct. 1, 2022

Categories:

CHILDREN'S SOCIAL THEMES

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THE MOST MAGNIFICENT THING

by Ashley Spires ; illustrated by Ashley Spires ‧ RELEASE DATE: April 1, 2014

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

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Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)

Pub Date: April 1, 2014

ISBN: 978-1-55453-704-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

Categories:

CHILDREN'S ANIMALS | CHILDREN'S SOCIAL THEMES

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BYE BYE, BUTTERFLY
developed by Ashley Spires ; adapted by Naseem Hrab ; illustrated by Mike Shiell

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NO MOUSIE LEFT BEHIND
developed by Ashley Spires ; adapted by Naseem Hrab ; illustrated by Mike Shiell

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THE MOST MAGNIFICENT MAKER'S A TO Z
by Ashley Spires ; illustrated by Ashley Spires

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ON THE FIRST DAY OF KINDERGARTEN

by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

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Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)