Laced with humor, often ribald and iconoclastic, this is an insightful tale of pain and love, a story of a quest for...
In Hanif’s (A Case of Exploding Mangoes, 2008) second literary effort, Alice Bhatti lives in a land where “most of life’s arguments…got settled by doing various things to a woman’s body.”
Alice is a young nurse, a Christian, in Muslim Pakistan. Alice is a Choohra, an untouchable. Alice is also a graduate of Borstal Jail for Women and Children. That's because outspoken Alice made an easy target at the end of her nursing training when blame needed to be affixed for a botched operation. Sentence complete, with the help of sympathetic but ineffectual Dr. Jamus Pereira, Alice has secured a nursing position at Sacred Heart Hospital for All Ailments near French Colony, Karachi’s Christian slum. Outsider and renegade, openhearted and cynical, Alice is a strikingly memorable character. Willing to help teenaged Noor nurse his cancer-filled mother, Alice is equally willing to defend herself by razor-nicking the male member of the family of a privileged patient. Hanif’s setting is spot on: Karachi as Karachi-Western-misperceived, squalor and discrimination perfectly logical alongside the “Gentlemen’s Squad,” an off-the-books police operation rough-riding through interrogations that produce dead witnesses. Alice is soon courted and married by Teddy Butt, a waxed-hairless, steroid-consuming body-builder and latent misogynist, who “provides valet parking for the angels of death” as the squad’s combination errand boy and clean-up man. Much of the first two-thirds of the novel is focused on the artful setting and the deepening of character development, and then Alice, praying “in the heat of demented devotion,” resuscitates an apparently stillborn boy. Alice is certain there are scientific reasons for the baby springing to life, but rumors of miracles soon fly around the hospital and out among the want-to-be-patients languishing under a courtyard tree called Old Doctor. It is there too that Alice rests to await her destiny.
Laced with humor, often ribald and iconoclastic, this is an insightful tale of pain and love, a story of a quest for humanity and grace in a desperate, chaotic society.Pub Date: May 31, 2012
ISBN: 978-0-307-95831-0
Page Count: 256
Publisher: Knopf
Review Posted Online: April 2, 2012
Kirkus Reviews Issue: April 15, 2012
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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