Overall, Ali shows an almost anthropological interest in his characters, and a keen eye for the humanistic detail: a richly...
Ten lively, polished stories from Ghanian-American writer Ali about the transformation of Africa from old country to new.
Ali’s tales alternate between a hometown setting of Zongo Street—a densely populated neighborhood of Ghana’s bustling city of Kumasi, where the locals toil as small merchants—and the ethnic neighborhoods of New York City, where young Ghanian immigrants strive to make modern wages in predominantly white America. First, on Zongo Street, the 91-year-old Uwargida, one of the four widows of the Hausa King, shuffles out nightly to regale the neighborhood children with scary mythological tales, such as the story of the eternal dueling between the devil boy and the priest in “The Story of Day and Night.” In “Mallam Sile,” the eponymous bachelor tea-seller on Zongo Street marries the big, strong lady named Abeeba, whose daunting brawn intimidates her husband’s customers into settling their bills. “The Manhood Test” recounts hilariously the poignant events leading up to a husband’s having to prove his virility to his wife publicly while the old-lady lafiree judges. In “Man Pass Man,” the local swindler’s mean tricks on people lead to a terrifying interview with the devil himself. Transplanted to America, Ghanians have to tread carefully amid the entrenched racism of whites. In “Rachmaninov,” a young Ghanian artist hooks up drunkenly with a rich blonde American woman in the city and spends a terrifying night trying to sober her up rather than call 911 and risk a racial backlash. A Brooklyn musician in “The True Aryan” has to endure a tedious lecture in multicultural empathy by his Armenian cab driver; while the vulnerable domestic worker in “Live-in,” Shatu, a widow seeking work to support her three children back in Ghana, undergoes hostility from her elderly Long Island charge and untoward attention from her employer.
Overall, Ali shows an almost anthropological interest in his characters, and a keen eye for the humanistic detail: a richly rewarding cultural study.Pub Date: Aug. 1, 2005
ISBN: 0-06-052354-9
Page Count: 224
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
Old-fashioned short fiction: honest, probing and moving.
One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.
Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.
Old-fashioned short fiction: honest, probing and moving.Pub Date: Nov. 12, 2013
ISBN: 978-0-06-185765-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: Aug. 31, 2013
Kirkus Reviews Issue: Sept. 15, 2013
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
