THE GREY LADY AND THE STRAWBERRY SNATCHER

At a faux-woodgrain fruitstand rifled with lushly painted fruit, an old woman buys strawberries. Here and throughout, only her gnomelike face and her hands are painted like the rest of the picture; her flat gray form matches and bleeds into the background. This allows for some tricky hide-and-seek later, when the Gray Lady is being pursued by the Snatcher—an electric blue creature clad in luminescent green cape and purple slouch hat, who seems a kiddie-cartoon version of a psychedelic-album-cover grotesque. Lurking now outside the fruitstand, the Snatcher trails the Lady past showcased pastry and other window displays. He reaches out but misses, as snakes from a passing Indian woman's basket form a surrealistic barrier between him and the poster-basic bus the Lady is boarding. Riding the Indian woman's skateboard, the Snatcher reappears at the end of the bus line, and the terror mounts. The Gray Lady flees from him through a thicket of reaching, Rackhamesque trees, and leads him into deeper, pretty greenery . . . where he stops, turns, plunges into a sunlit, lacy blackberry glade, and feasts blissfully on the berries. Thus saved, the Gray Lady shows up in her patterned, textured parlor and distributes strawberries to a family of six—which includes another gnomelike woman, outlandishly dressed in striped leg warmers. The jacket flap calls this wordless string of gratuitous effects an allegory, which we will accept as part of the joke.

Pub Date: March 1, 1980

ISBN: 0689803818

Page Count: -

Publisher: Four Winds/MacMillan

Review Posted Online: April 17, 2012

Kirkus Reviews Issue: March 1, 1980

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Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense.

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REFUGEE

In the midst of political turmoil, how do you escape the only country that you’ve ever known and navigate a new life? Parallel stories of three different middle school–aged refugees—Josef from Nazi Germany in 1938, Isabel from 1994 Cuba, and Mahmoud from 2015 Aleppo—eventually intertwine for maximum impact.

Three countries, three time periods, three brave protagonists. Yet these three refugee odysseys have so much in common. Each traverses a landscape ruled by a dictator and must balance freedom, family, and responsibility. Each initially leaves by boat, struggles between visibility and invisibility, copes with repeated obstacles and heart-wrenching loss, and gains resilience in the process. Each third-person narrative offers an accessible look at migration under duress, in which the behavior of familiar adults changes unpredictably, strangers exploit the vulnerabilities of transients, and circumstances seem driven by random luck. Mahmoud eventually concludes that visibility is best: “See us….Hear us. Help us.” With this book, Gratz accomplishes a feat that is nothing short of brilliant, offering a skillfully wrought narrative laced with global and intergenerational reverberations that signal hope for the future. Excellent for older middle grade and above in classrooms, book groups, and/or communities looking to increase empathy for new and existing arrivals from afar.

Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense. (maps, author’s note) (Historical fiction. 10-14)

Pub Date: July 25, 2017

ISBN: 978-0-545-88083-1

Page Count: 352

Publisher: Scholastic

Review Posted Online: May 10, 2017

Kirkus Reviews Issue: June 1, 2017

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Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel.

CAPTAIN UNDERPANTS AND THE TERRIFYING RETURN OF TIPPY TINKLETROUSERS

From the Captain Underpants series , Vol. 9

Sure signs that the creative wells are running dry at last, the Captain’s ninth, overstuffed outing both recycles a villain (see Book 4) and offers trendy anti-bullying wish fulfillment.

Not that there aren’t pranks and envelope-pushing quips aplenty. To start, in an alternate ending to the previous episode, Principal Krupp ends up in prison (“…a lot like being a student at Jerome Horwitz Elementary School, except that the prison had better funding”). There, he witnesses fellow inmate Tippy Tinkletrousers (aka Professor Poopypants) escape in a giant Robo-Suit (later reduced to time-traveling trousers). The villain sets off after George and Harold, who are in juvie (“not much different from our old school…except that they have library books here.”). Cut to five years previous, in a prequel to the whole series. George and Harold link up in kindergarten to reduce a quartet of vicious bullies to giggling insanity with a relentless series of pranks involving shaving cream, spiders, effeminate spoof text messages and friendship bracelets. Pilkey tucks both topical jokes and bathroom humor into the cartoon art, and ups the narrative’s lexical ante with terms like “pharmaceuticals” and “theatrical flair.” Unfortunately, the bullies’ sad fates force Krupp to resign, so he’s not around to save the Earth from being destroyed later on by Talking Toilets and other invaders…

Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel. (Fantasy. 10-12)

Pub Date: Aug. 28, 2012

ISBN: 978-0-545-17534-0

Page Count: 304

Publisher: Scholastic

Review Posted Online: June 20, 2012

Kirkus Reviews Issue: July 15, 2012

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