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WALKING WHEEL

A romantic portrait of intimacy and life at the edge of expansion.

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Fisk’s novel in verse offers a pastoral meditation on American frontier life that explores domesticity, self-discovery, and nature.

Newlyweds and aspiring homesteaders Phoebe and Miles Imlay travel for 23 days from Oregon to California’s Surprise Valley to start their life together. The novel, set in the late 19th century, unfolds in a series of brief, linear poetic vignettes, often only a page or two in length, that trace the couple’s physical journey and their gradual shaping of a shared existence. The text addresses the Imlays’ literal and emotional journey and the changing but constant cycle of life—a walking wheel. The work focuses more deeply on Phoebe’s perspective and romanticizes traditional gender roles and the traditional dream of the West. Her character’s interiority, expressed in luminous lines, situates self-discovery in repetition, routine, and mindfulness. Most passages are concerned with simple, everyday themes—wonder, love, nature, and the beauty of oneness—as daily labor, seasonal change, and marital intimacy fold into a single, continuous experience of becoming. Although the characters face hardships—preparing for winter, defending livestock against predators, overcoming sickness—the lyricism of the text transforms the stark realities of frontier life in a one-room cabin with unglassed windows and an outhouse. A triumph of the text is how it brings “separate understandings / to work together” and “spins and thinks of circles” in order to relate personal discovery with the rhythms of the natural world. As tracks, cycles, and rhythms converge, the text quietly complicates the ethos of frontier expansion, even as it indulges a more straightforward sense of progress; it’s a pattern of tracks that’s briefly broken by a single bootheel among “some late-blooming Indian paintbrush” on the far side of the creek that runs through the Imlays’ property—a quiet nod to the forced displacement of Native Americans.

A romantic portrait of intimacy and life at the edge of expansion.

Pub Date: April 7, 2026

ISBN: 9781636284590

Page Count: 160

Publisher: Red Hen Press

Review Posted Online: May 12, 2026

Kirkus Reviews Issue: July 1, 2026

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  • New York Times Bestseller

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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