by Molly Jong-Fast ‧ RELEASE DATE: April 12, 2005
Jong-Fast is the Joan Rivers for slackers: she delights in pushing the boundaries of libel only to retreat, all in the...
From the author of the debut novel Normal Girl (2000): shallow, neurotic, very funny essays that continue to milk the writer’s relations to famous mother Erica Jong and grandfather Howard Fast.
“I knew I was going to have to prostitute this experience,” Jong-Fast acknowledges by way of mock apology for dishing the dirt on the famous people she encounters during her years of growing up, “and pretty much everything else that’s ever happened to me.” Straightaway, she dispenses with niceties: she loves lying, is “mildly maladjusted,” greedy for publicity, “somewhat self-obsessed,” and shamelessly devoted to name-dropping, especially dropping her own family’s names if that can win her food or flattery. When she first meets the new girl and future supermodel Sophie Dahl at the tony Manhattan Day School, her opening line is “Do you know who my mom is?” Some of the sacred cows Jong-Fast relishes butchering include her grandfather Howie (a novelist jailed in the ’50s for refusing to name names before HUAC; now, in his eighties, he’s marrying his forty-year-old secretary—“The bride wore a white suit. The groom wore Depends”); the various unsavory boyfriends of her mother, the so-called Queen of Erotica; the shrinks her mother employed to help the husky Molly slim down; and family friend Joan Collins, who commits the horrific faux pas of announcing that thirteen-year-old Molly was “too fat to go on Valentino’s yacht,” thus ensuring ten more years of therapy. Jong-Fast is sarcastic but not stupid, and she wields an acid pen—the “muumuu-wearing fascist” psychiatrist to the stars who helps her lose weight is dubbed “Adolf Hitler,” and one in the succession of dubious secretaries for her mom at their home on East 94th Street is “Marie Osmond,” for her “incredible value system.”
Jong-Fast is the Joan Rivers for slackers: she delights in pushing the boundaries of libel only to retreat, all in the spirit of good clean fun. After all, what else does she have to write about?Pub Date: April 12, 2005
ISBN: 1-4000-6144-X
Page Count: 208
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2005
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by Tina Turner with Deborah Davis Dominik Wichmann ‧ RELEASE DATE: Oct. 16, 2018
Fans of Aunty Entity and the lady who showed Mick Jagger his best moves will delight in Turner’s lightly spun memoir.
Rock-’n’-soul icon Turner is happy at last, and she wants the world to know it.
The love story of the title is specific: The 78-year-old singer has been with her German mate for 33 years, and though bits and pieces of her body have been failing and misbehaving—she recounts a stroke, kidney failure, cancer, and other maladies—her love is going strong. It’s also generalized: Turner, born Anna Mae Bullock in Nutbush, Tennessee, is enchanted by the world, from her childhood countryside to the shores of Lake Zurich, where she has lived nearly half her life. There was another love story, of course, the one that fans will know and lament: her marriage to the drug-addicted, philandering Ike Turner, of whom she writes, pointedly, “at this point in my life, I’ve spent far more time without Ike than with him.” The author emerges from these pages as self-aware and hungry for knowledge and experience. Who knew that she was a dedicated reader of Dante as well as a “favorite aunt” of Keith Richards and a practitioner of Buddhism of such long standing that Ike himself demanded that she lose her shrine? The gossip is light, though she’s clear on the many reasons she broke away from Ike. She’s also forgiving, and as for others in her circle over the years, she calls Mel Gibson “Melvin” because of his “little boy quality,” though she doesn’t approve of certain bad behavior of his. Mostly, her portraits of such figures as David Bowie and Bryan Adams are affectionate, and the secrets she reveals aren’t terribly shocking. Those fishnet stockings and short skirts, she lets slip, were more practical than prurient, the stockings running less easily than nylons and the short skirts “easier for dancing because they left my legs free."
Fans of Aunty Entity and the lady who showed Mick Jagger his best moves will delight in Turner’s lightly spun memoir.Pub Date: Oct. 16, 2018
ISBN: 978-1-5011-9824-3
Page Count: 272
Publisher: Atria
Review Posted Online: Nov. 13, 2018
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by Marcelo Hernandez Castillo ‧ RELEASE DATE: Jan. 28, 2020
A heartfelt and haunting memoir just right for the current political and social climate.
An acclaimed Mexican-born poet’s account of the sometimes-overwhelming struggles he and his parents faced in their quest to become American citizens.
Hernandez Castillo (Cenzontle, 2018, etc.) first came to the United States with his undocumented Mexican parents in 1993. But life in the shadows came at a high price. Immigration and Customs Enforcement raided their home on multiple occasions and eventually deported the author’s father back to Mexico. In this emotionally raw memoir, Hernandez Castillo explores his family’s traumas through a fractured narrative that mirrors their own fragmentation. Of his own personal experiences, he writes, “when I came undocumented to the U.S., I crossed into a threshold of invisibility.” To protect himself against possible identification as an undocumented person, he excelled in school and learned English “better than any white person, any citizen.” When he was old enough to work, he created a fake social security card to apply for the jobs that helped him support his fatherless family. After high school, he attended college and married a Mexican American woman. He became an MFA student at the University of Michigan and qualified for the Deferred Action for Childhood Arrivals program, which allowed him to visit his father in Mexico, where he discovered the depth of his cultural disorientation. Battling through ever present anxiety, the author revisited his and his parents’ origins and then returned to take on the difficult interview that qualified him for a green card. His footing in the U.S. finally solidified, Hernandez Castillo unsuccessfully attempted to help his father and mother qualify for residency in the U.S. Only after his father was kidnapped by members of a drug cartel was the author able to help his mother, whose life was now in danger, seek asylum in the U.S. Honest and unsparing, this book offers a detailed look at the dehumanizing immigration system that shattered the author’s family while offering a glimpse into his own deeply conflicted sense of what it means to live the so-called American dream.
A heartfelt and haunting memoir just right for the current political and social climate.Pub Date: Jan. 28, 2020
ISBN: 978-0-06-282559-9
Page Count: 384
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 23, 2019
Kirkus Reviews Issue: Oct. 15, 2019
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