Frey’s literary affectations don’t get in the way of the good times. Let the revels begin!
A swingers’ party leads to murder in a wealthy Connecticut enclave.
After a seven-year hiatus from publishing adult fiction, Frey has found a groove with this gleefully trashy page-turner set among the one percent: four couples in the fictional town of New Bethlehem whose lives are thrown into chaos when two of the wives plan a spouse-swapping evening. (Rick Moody’s 1994 novel, The Ice Storm, lurks in the background, unnamed: “You know Key Parties were invented here.” “I’ve seen the movie, I’ve read the book.”) Their short-range goals are to sleep with someone other than their husbands (one is a sadistic nightmare, the other impotent), but there’s a long-range goal the reader won’t know about for a while. Frey is in his element here, with his signature breathless, over-the-top, unpunctuated sentences and one-sentence paragraphs; laundry lists of high-end brand names (at one meeting, people sit on Boca do Lobo sofas and Roche Bobois armchairs in Gieves & Hawkes suits); and a pharmacopeia so rich it almost gets you high to read it. (“He had cocaine from Bolivia, Colombia, and Peru. Pink coke from L.A., which has slight amounts of ketamine and ecstasy cut into it. He had mushrooms in raw form, in pills, in chocolate. He had twelve different strains of weed, four each of sativa, hybrid, and indica. He had ecstasy from the Netherlands. He had acid from Northern California. And he had the rarest of recreational drugs, quaaludes.”) Wild excess is everywhere, and is often played for laughs. As we happily race toward the sequenced reveals of who is murdered, who did it, and what happens to all these delightful people, Frey pauses to rhapsodize about his home state in a lyrical chapter titled “Color Fields”: “Oh, Connecticut, how beautiful you are.…Your Maples. / Sugar and Red. / In all their motherfucking glory. / And it is glorious.”
Frey’s literary affectations don’t get in the way of the good times. Let the revels begin!Pub Date: June 17, 2025
ISBN: 9798893310269
Page Count: 336
Publisher: Authors Equity
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
