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REALLY GOOD, ACTUALLY

Smart, bighearted, and hilarious.

The trials and tribulations of a young divorcée.

“My marriage ended because I was cruel. Or because I ate in bed. Or because he liked electronic music and difficult films about men in nature. Or because I did not. Or because I was anxious, and this made me controlling.” Narrator and protagonist Maggie introduces herself by presenting a litany of all the reasons why she and her husband, Jon, are getting divorced. Some of these reasons will be familiar to most longtime couples—“Or because he forgot our anniversary once”—while others seem quite specific to this couple—“Or because he kept insisting we go vegan, then sneaking pizzas into the apartment while I slept.” (“Or because we finished watching The Sopranos and never started The Wire” is difficult to categorize.) In the aggregate, they suggest a relationship that has collapsed for a whole lot of reasons and no particular reason at all, and they make it clear that the story Maggie is going to tell is defined by that loss. Which is not to say that she doesn’t have other issues. She kind of hates her teaching job, and her dissertation has stalled. But she might have coasted along forever without completely falling apart if not for her divorce. Novels about women who unravel somewhere around the age of 30 aren’t exactly rare, but this one stands out both because it’s laugh-out-loud funny and because of the artful way Heisey reveals that her heroine is most definitely not OK. Maggie’s tales of dating-app life and trying out new hobbies with another young divorcée are recounted with ironic humor, but the cracks in her carefree persona expose a deep despair. For instance, Maggie torpedoes her relationship with a guy named Simon because he’s “too nice” to her. During a couples counseling session Maggie schedules so she can finally sort out everything with Jon and finalize their divorce, it becomes apparent that Maggie isn’t just an unreliable narrator of the story she’s telling us; she’s also an unreliable narrator of the story she’s telling herself. Her ultimate breakdown is inevitable, and she has to work hard to win back the trust of the people who love her most—and regain trust in herself. Maggie’s redemption is well earned.

Smart, bighearted, and hilarious.

Pub Date: Jan. 17, 2023

ISBN: 978-0-06-323541-0

Page Count: 384

Publisher: Morrow/HarperCollins

Review Posted Online: Sept. 13, 2022

Kirkus Reviews Issue: Oct. 1, 2022

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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