A rose is a rose, and loving friendship is loving friendship, as this sweet celebration makes clear.
When Alice Babette wakes up on her birthday, she’s certain “it will be a day filled with surprises.”
Unfortunately, the first is that her best friend, Gertrude, with whom she lives, doesn’t wish her a happy birthday. It improves from there, as Alice wanders through Paris, riding a merry-go-round and watching a puppet show in the Luxembourg Gardens. Meanwhile, readers see that Gertrude is not as hardhearted as she seemed: she spends the day marketing for and preparing a grand birthday dinner for her friend and composing a birthday poem. Alas, Alice is the cook in this family, and all of Gertrude’s good intentions can’t turn her into one, particularly when the muse beckons. Kulling’s affectionate look at one fictional day in Alice B. Toklas and Gertrude Stein’s life together is as rambling as her subjects’ separate peregrinations. Stein’s experimental writing is alluded to (only Alice “seem[s] to understand or appreciate her friend’s work”); the story’s focus is on the loving, complementary relationship between the two women—indeed, the pair feels like many a children’s-literature duo: Mouse and Mole, Frog and Toad, and George and Martha come to mind. Leng’s delicate watercolors depict two middle-aged white women in frumpy skirts, Gertrude stockier than Alice and with close-cropped hair. Her images of Paris, the women’s old-fashioned kitchen, and their poodle, Basket, charm.
A rose is a rose, and loving friendship is loving friendship, as this sweet celebration makes clear. (Picture book. 5-8)Pub Date: April 1, 2016
ISBN: 978-1-55498-820-4
Page Count: 32
Publisher: Groundwood
Review Posted Online: March 1, 2016
Kirkus Reviews Issue: March 15, 2016
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A holiday outing that doesn’t quite satisfy.
In this follow-up to singer Parton and co-author Perl’s Billy the Kid Makes It Big (2023), literal and figurative bumps in the road imperil the touring canine country star’s promise to be home for Christmas.
Inspired by one of Parton’s holiday songs, the tale sees Billy, a small brown French bulldog, and bandmates Bo, Buster, and Binky boarding a tour bus for “pawsome” glimpses of natural wonders along with meetings with fans and “puparazzi.” Then, although Billy has sent many letters home promising to be there for the holiday, an invitation to play Barkafeller Center on Christmas Day instantly changes his tune. “Billy was happy. Though he still felt a little…he wasn’t sure what.” Readers may be excused for having mixed feelings about his mixed feelings, not to mention his tersely unapologetic note to the folks. But when, thanks to a bus-busting rock in the road on Christmas Eve, it looks like the band will have to contrive their own celebration (“Silent night, howly night”), Billy remembers that he started making music in the first place for his loved ones. He has no problem bagging the big concert (Fans? What fans? Contract? What contract?) when Dolly herself rolls up in her own bus to offer a ride back to his “Tennessee mountain home” in time for a small show for “the most important audience in the world.” While Billy cuts an endearing figure in Haley’s cartoonish illustrations, his willingness to disappoint first family, then fans may have readers feeling less than cheery.
A holiday outing that doesn’t quite satisfy. (lyrics to Parton’s “Comin’ Home for Christmas”) (Picture book. 5-7)Pub Date: Oct. 1, 2024
ISBN: 9780593755006
Page Count: 40
Publisher: Penguin Workshop
Review Posted Online: Sept. 28, 2024
Kirkus Reviews Issue: Nov. 1, 2024
BOOK REVIEW
BOOK REVIEW
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