by Monica Trasandes ‧ RELEASE DATE: Nov. 13, 2012
Uncertain in focus, uneven in pacing, Trasandes’ novel’s strength lies in its sensitive portrayal of complex emotional lives.
Relaxed, happy, driving with friends along a coastal road in Spain, Kate Harrington lies in the back seat, caressing the new life in her belly, while her friends laugh in the front seat. Suddenly, there is a truck ahead and then a crash.
Kate’s accident sends her constellation of friends and family into disarray. The possibility of losing Kate is beyond bearing. Back home in California, she’s left her two loves behind: Louis and Angela. Louis’ life has twined and untwined with Kate’s over the years, from high school buddies to lovers to fiances. Angela knew something lay deep in Kate’s heart, some wall that kept even her lovers from getting too close, something that would send her to Brazil and Spain. She got her answer when Kate sent her a copy of her thesis, with its dedication page that thanked Angela and Louis. It also forgave Kate’s mother. Yet, as Angela and Louis remember meeting Kate, falling in love with her and the impossibilities of capturing her, the pace of Trasandes’ debut novel slows. The urgency of flying to Kate’s side fades, and it seems that the longer Kate remains uncommunicative, the longer they can linger in poignant memories, the longer they can keep her alive. Unfortunately, that meandering in memories makes it difficult to sustain suspense. The precariousness of Kate’s grip on life fades into background noise, leaving Angela and Louis center stage, yet neither has the charisma of Kate. When Kate’s stepfather, Don, arrives in Spain, a battle ensues between Louis, who loves her, and Don, who abused her. The novel’s tempo picks up, yet the shift from bittersweet elegy to vengeful thriller is jarring.
Uncertain in focus, uneven in pacing, Trasandes’ novel’s strength lies in its sensitive portrayal of complex emotional lives.Pub Date: Nov. 13, 2012
ISBN: 978-1-250-00683-7
Page Count: 336
Publisher: Dunne/St. Martin's
Review Posted Online: Sept. 15, 2012
Kirkus Reviews Issue: Oct. 1, 2012
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by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Mark Z. Danielewski ‧ RELEASE DATE: March 6, 2000
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
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