A sometimes-melodramatic but compelling survivor’s story.
A Pakistani woman lives much of her life in the Middle East, facing many obstacles in her search for love and financial security, in this novel.
Sawera is born in Pakistan in 1978, and is immediately given up for adoption by her biological mother to her sister, then childless. After Sawera’s adoptive parents have two sons, she becomes the family scapegoat, often being beaten by her mother (as when the girl comes home early and catches her parent kissing a man who’s not her husband). Sawera craves acceptance through romance and gains a bad reputation in high school. Jumping into marriage at age 17, she slaves for her husband, Wasim, and his three brothers and father; bears three children; and soon looks for another escape. Like her father before her, she seeks a work visa in Saudi Arabia; leaving her husband behind, she takes her children abroad. The money is good, but working in Saudi Arabia, and later in Bahrain, as an expatriate is a constant scramble for visa extensions and being at the mercy of exploitative sponsors, some extracting money and others sexual favors. Sawera must often leave her kids in Pakistan with relatives while she works, divorces, marries, divorces again, and tries to become a beautician. In the end, her life gets on the right track at last. Sawera both experiences and causes suffering (her children are often lonely and left with unaffectionate caretakers), but Gumber (Dying to Live, 2017, etc.) tells her story as a matter of triumphal survival in harsh circumstances. Something like Becky Sharp, Sawera is a survivor who, despite guilt pangs, sees moralizing as hypocrisy, especially in a world where the rich and well-connected get away so easily with cheating and using the powerless. On occasion, Sawera isn’t very subtle about pulling the heartstrings: Her mother “beat me up so much that I carried the bruises for weeks. My real bruises took an even longer time to heal. The bruises to my soul.” Overall, though, she’s convincing, and admirable in her determination to improve life for herself and her kids.
A sometimes-melodramatic but compelling survivor’s story.Pub Date: Oct. 30, 2018
ISBN: 978-1-5462-6498-9
Page Count: 156
Publisher: AuthorHouse
Review Posted Online: April 5, 2019
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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