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NICE GUYS FINISH FIRST

THE AUTOBIOGRAPHY OF MONTE IRVIN

An inspiring if static firsthand account of a celebrated baseball career, coauthored by Riley, an authority on the Negro Leagues. Irvin has a right to be proud; he also has a gift for being humble. Born in 1919, one of 13 children, Irvin recounts with equal nostalgia both the dire poverty of his early years on an Alabama farm and his relatively stable later childhood in northern New Jersey. He also details fondly the great sacrifices and support provided by his parents. This ingratiating lack of self- consciousness extends to his descriptions of fellow Hall of Famers Josh Gibson (``without a doubt the greatest hitter I ever saw, black or white'') and Jackie Robinson (``a tremendous, well-rounded athlete'' though ``it seemed like he thought he was just a little bit better than other players''). He makes no bones about how the ``gentleman's agreement'' barring black players from the game robbed him of his prime. However, he evenhandedly remembers the good times and camaraderie of Negro League road trips, as well as a few kindnesses extended by whites who risked severe reprisal for their generosity. Irvin entered the Major Leagues with the New York Giants in 1950. Though well past his peak as an athlete, he helped pace the team to two pennants and one World Series win while also serving as mentor to a young centerfielder of unworldly talent named Willie Mays. Beginning in the mid-'50s, Monte worked in the baseball commissioner's office, and he serves up some pointed commentary about the game's evolution, opining about contract arbitration (which ``has really hurt baseball more than anything else'') and the designated-hitter rule (``Pitchers can be very aggressive . . . because they never have to come to the plate''), among other controversial topics. Never one to intellectualize needlessly, Irvin has a tempered approach to baseball that will be tonic against those who attempt to make the game more complex and ``meaningful'' than it really is.

Pub Date: Feb. 1, 1996

ISBN: 0-7867-0254-0

Page Count: 256

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1995

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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