developed by MoonBot Studios ‧ RELEASE DATE: Jan. 11, 2012
Still—a marvelous visual, if not tactile, experience.
A fanciful take on the invention of the alphabet, more a video than a full-featured app but through the roof for production values.
The setting seems right out of Fritz Lang’s Metropolis and is depicted with the accomplished 3-D modeling and monochrome gray tones of Chris Van Allsburg’s pencil work. Goose-stepping hordes of small, peglike Numberlys stamp out lines of digits in a gargantuan factory amid huge shadows and gear wheels. One night, five vaguely dissatisfied workers stay behind and with mighty efforts hammer out an alphabet letter by letter that, when released the next morning, flies out into the world to introduce both words and color to the stunned masses. Readers can help them through a limited variety of touch-controlled trampoline, pinball and dexterity games. Aside from the games, there are no interactive elements in the visuals, but smoothly animated movements and scene changes aplenty keep the characters and plot tumbling along. Read, optionally, by a narrator with an exaggerated German accent, the sparse text appears on separate screens and runs to witty lines like “Now, what could the next letter…be?” Directional arrows at the bottom of each screen, plus a rotating main-menu index, allow rapid back-and-forth–ing. The art’s sophistication isn’t quite matched by the attention to technical detail, as toggling the melodramatic background music off also cuts out all of the nongame sound effects.
Still—a marvelous visual, if not tactile, experience. (iPad storybook app. 5-8)Pub Date: Jan. 11, 2012
ISBN: N/A
Page Count: -
Publisher: MoonBot Studios
Review Posted Online: Feb. 14, 2012
Kirkus Reviews Issue: March 1, 2012
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More by William Joyce
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by William Joyce ; illustrated by MoonBot Studios
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by William Joyce & illustrated by William Joyce & developed by MoonBot Studios
by Loren Long & illustrated by Loren Long ‧ RELEASE DATE: Sept. 1, 2009
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
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by Loren Long ; illustrated by Loren Long
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by Loren Long ; illustrated by Loren Long
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More About This Book
SEEN & HEARD
by Susan Verde ; illustrated by Peter H. Reynolds ‧ RELEASE DATE: Sept. 13, 2016
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...
An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.
Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)Pub Date: Sept. 13, 2016
ISBN: 978-0-399-17258-8
Page Count: 40
Publisher: Putnam
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
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More by Susan Verde
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by Susan Verde ; illustrated by Juliana Perdomo
BOOK REVIEW
by Susan Verde ; illustrated by Peter H. Reynolds
BOOK REVIEW
by Susan Verde ; illustrated by Juliana Perdomo
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