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1916

A noted chronicler of Irish history and legend (Pride of Lions, 1996, etc.) here deals with the Easter Rising of 1916, as seen through the fictional adventures of a young man close to the inner circle of those working and fighting for Ireland’s independence from England. When first introduced, teenager Ned Halloran is on his way to the US with his parents to attend the wedding of sister Kathleen to an American—the ship is the Titanic. On his grieving return to Ireland, Ned, a farmer’s son, is sent to St. Enda’s, a school where Irish history, language—and pride—are not only valued but taught with fervor. It’s at St. Enda’s that he meets the “conspiracy of poets,” including Headmaster Padraic Pearse, who will become commander-in-chief during the Rising. Ned becomes acquainted with the many faces and phases of the rebellion against the “looting” and “occupying” English, while a plethora of movements begin to surface: the Sinn Fein (then standing for nonmilitary rebellion); the socialist Connolly’s Citizen Army; and the Volunteer Corps. Ned joins the Fianna, a youth corps founded by the doughty Countess Markievicy (who, like the other real-life people here, makes a substantial appearance). In New York, meantime, sister Kathleen makes some unsettling discoveries: Her husband is a brute, contemptuous of her Irish nationalism, and Father Paul, a young priest, is stirring most unspiritual fires within. Back in the homeland, Ned is battling through an amorous dilemma: Is it to be a prim lady (an Anglophile) or a patriotic prostitute, the sister of a dead friend? The revolution heats up; Ned becomes a courier between the many groups and sectors; there are marches, spying, drills—and finally terrible sacrifice. Llywelyn tells her tale with gusto and a respect for the facts; a good deal of both bizarre and somber history shines through the fictional fustian of its likable characters. (Author tour)

Pub Date: April 13, 1998

ISBN: 0-312-86101-X

Page Count: 448

Publisher: Forge

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1998

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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