A first-rate raconteur tells engaging tales of family and faith.
A boisterous novel about a rough man in search of the meaning of life.
The subtitle of Morgan’s debut calls it “an epistolary novel,” despite the fact that it contains no letters; instead, it tells a fictional tale “inspired in part by true incidents.” But Morgan’s dramatic instincts and sheer narrative gusto quickly sweep aside such category concerns, starting right from the beginning, which finds the main character, Tom Morgan, driving down a road in Indiana with his wife and two children. An accident sends them flying through the front windshield. They all survive with varying amounts of physical injury (as he memorably puts it, “my little girl fractured her arm and shoulder and at thirty is still retrieving shattered glass from her forehead”), but the incident prompts his estranged wife to divorce him and sue for custody of their children. Morgan, a plainspoken old “leftie” who describes himself as “a reclusive revolutionary marxist without a party, a rancher without his ranch, a horseman without his horses,” eventually contacts a lawyer named Jack McMurtry (“he’d spent a lifetime collecting quirky opinions”) in his quest to regain custody of his kids. But this family drama is just one strand in a sprawling narrative that overflows with beautifully drawn characters and scenes in the life of a dreamer and iconoclast. Along the way, the author vividly describes a series of colorful outcasts and offers his own countercultural digressions: “Free enterprising cultural decay is required for corporate profit,” he writes, for instance, and “The mental health industry deliberately dodges responsible analysis.” He also occasionally fulminates against “liberal pap at the pulpit.” But both religious and nonreligious readers will find an abundance of involving anecdotes in this rambling, highly detailed, and fictionally charged life story.
A first-rate raconteur tells engaging tales of family and faith.Pub Date: July 29, 2016
ISBN: 978-0-9975435-3-7
Page Count: -
Publisher: Mindstir Media
Review Posted Online: Jan. 16, 2017
Review Program: Kirkus Indie
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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