A gritty coming-of-age tale for the ages.
Drug violence, religious strife, and a star-crossed romance play out in this Shakespearean tale set in a Bristol neighborhood of Caribbean and Somali immigrants called Ends.
Born into a large, "infamous" family of Pentecostal preachers with Jamaican roots, Sayon Hughes, the young narrator of this debut novel, is mostly raised by his grandmother alongside his many cousins. Along with them, he has inherited "generations of trauma passed on by relatives" and intensified by "a system intent on keeping us in place." Drawn into the drug trade by his cousin Cuba, whom he considers his brother, Sayon is arrested for dealing and serves six months in jail. The sentence is one of many setbacks that threaten his relationship with the bright and upstanding Shona Jennings, a Baptist preacher's daughter and aspiring record-label owner whom he and everyone else assumes he'll marry. "If looks could kill she had a knife at my neck," he says. After being pushed into a shocking act of violence, Sayon is so afraid of Shona’s finding out about the misdeed that he strikes a deal with her father, Pastor Lyle, who knows what happened but has his own dark secrets to keep. He won't tell his daughter about the incident if Sayon promises to cut ties with Cuba and the rest of his family, repent, and become born again while living in the Jennings house. There's no way that plan is going to work, but Pastor Lyle's open hatred of Muslim Somalis ultimately has a positive effect in awakening Sayon to Islam, a religion that makes sense to him. One of the many notable achievements of this remarkable debut by the 23-year-old McKenzie is to sustain our affection for Sayon even when he is acting badly. "Childhood and innocence are only synonymous to the privileged," he says. Recalling Zadie Smith's masterpiece White Teeth (2000), published when she was 25, this is the most exciting U.K. debut in years.
A gritty coming-of-age tale for the ages.Pub Date: May 31, 2022
ISBN: 978-0-316-42014-3
Page Count: 336
Publisher: Little, Brown
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
PERSPECTIVES
PERSPECTIVES
PERSPECTIVES
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.
In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.
Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.Pub Date: April 9, 2024
ISBN: 9781250884251
Page Count: 400
Publisher: Flatiron Books
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
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