Next book

THE DIAMOND SETTER

As the mystery of the diamond unfolds, characters’ paths cross in unexpected ways—reminding the reader that we are all, in...

A kaleidoscopic journey into the Middle East of the present and the not-so-distant past, told through the overlapping stories of characters whose intertwining lives revolve around the fate of a rare and storied diamond.

In his first novel to be translated into English, Israeli writer Sakal weaves elements of his own biography into a tale that is part mystery, part family history, and part myth. The story is told mostly by Tom, opening as he begins an apprenticeship in his uncle Menashe’s jewelry shop in Tel Aviv. A customer brings something into the shop she claims belongs to Menashe: a long-lost blue diamond known as “Sabakh.” Tom and his boyfriend, Honi, become involved with a young man from Damascus named Fareed, who may be connected to the diamond in some way as well. From there, the book traces the lives of the characters back through their respective family trees and deep into the history of the Middle East. As the reader learns about this mysterious diamond and the lives it's touched, the backdrop is a vivid rendering of the time just before the founding of the State of Israel and explores the deepening conflict that developed concurrently. The ménage à trois between Tom, Honi, and Fareed is mirrored in the narrative by an earlier polyamorous liaison between lovers from equally disparate backgrounds, and these romantic entanglements could perhaps serve as a metaphor for love that crosses religious, national, and political boundaries. The family trees chronicled in the book are a bit convoluted, but ultimately this only adds a layer of verisimilitude; family histories are often misleading and mysterious, and only under close inspection can one decipher the truth and meaning in them. Sakal plays with metafictional boundaries as well: real life and fiction intermingle as Tom discusses the book he’s writing (also called The Diamond Setter) over the course of the story. The tale glides along smoothly in English thanks to Cohen’s fluid translation.

As the mystery of the diamond unfolds, characters’ paths cross in unexpected ways—reminding the reader that we are all, in some way or another, connected.

Pub Date: March 20, 2018

ISBN: 978-1-59051-891-5

Page Count: 304

Publisher: Other Press

Review Posted Online: Dec. 23, 2017

Kirkus Reviews Issue: Jan. 15, 2018

Categories:
Next book

WE WERE THE LUCKY ONES

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Hunter’s debut novel tracks the experiences of her family members during the Holocaust.

Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Pub Date: Feb. 14, 2017

ISBN: 978-0-399-56308-9

Page Count: 416

Publisher: Viking

Review Posted Online: Nov. 21, 2016

Kirkus Reviews Issue: Dec. 1, 2016

Awards & Accolades

Likes

  • Readers Vote
  • 26


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller


  • IndieBound Bestseller

Next book

THE TATTOOIST OF AUSCHWITZ

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

Awards & Accolades

Likes

  • Readers Vote
  • 26


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller


  • IndieBound Bestseller

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

Close Quickview