Haunting and lyrical, understated and true.

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INTRUSION

A couple mourning the death of their teenage son in a freak accident confront past secrets while facing the uncertain future of their marriage in McCluskey’s debut.

Kat and Scott are struggling to navigate a world made brittle by grief. Kat, unable to cope with most day-to-day tasks, resents the way Scott, a corporate lawyer, buries himself in work to escape the pain. When she has to accompany him to an evening event, she's shocked to discover that his new client is a rich widow who used to be one of her own best friends. It’s been 20 years since Sarah Cherrington cut a swath through the conservative Catholic school where she met and dazzled young Kat; the two were inseparable, drawn to one another as misfits despite being complete opposites. But a dramatic falling out when they were in college broke up their friendship, and they haven’t communicated since. Sarah, once a poor orphan, has realized her greatest dream: she is extraordinarily wealthy, and her business acumen and ruthless demands to get what she wants make her a desirable but demanding client for Scott. Meanwhile, Sarah reaches out to Kat, offering her a second chance at motherhood through her connection to an adoption charity. When Scott denies Kat’s request to consider adopting, the fragile shell of their marriage begins to crack. This novel raises comparisons to Gone Girl and some of the other recent stories about characters who aren’t who they seem, but McCluskey’s beautiful prose elevates it above most of them. Her descriptions of both place and people are lush: "Kat woke early, as the sun was rising and the light changing from gray to gold....The gardens, with their fine morning mist, looked enchanted. She stood still for a while, breathing it all in, until she noticed that the patio doors were open and, as she watched, Sarah, in a cream-silk shirt and loose pants, came out." In contrast, the dialogue is simple and true. Above all, this is an exploration of the cost of grief and how it isolates even those who share the same loss. But McCluskey also suggests that everyone has the capacity to find the way through this lonely darkness and reach healing on the other side.

Haunting and lyrical, understated and true.

Pub Date: July 1, 2016

ISBN: 978-1-503-95306-2

Page Count: 208

Publisher: Little A

Review Posted Online: April 13, 2016

Kirkus Reviews Issue: May 1, 2016

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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A strongly felt, if not terribly gripping, sendoff for a Turow favorite nearly 35 years after his appearance in Presumed...

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THE LAST TRIAL

Trying his final case at 85, celebrated criminal defense lawyer Sandy Stern defends a Nobel-winning doctor and longtime friend whose cancer wonder drug saved Stern's life but subsequently led to the deaths of others.

Federal prosecutors are charging the eminent doctor, Kiril Pafko, with murder, fraud, and insider trading. An Argentine émigré like Stern, Pafko is no angel. His counselor is certain he sold stock in the company that produced the drug, g-Livia, before users' deaths were reported. The 78-year-old Nobelist is a serial adulterer whose former and current lovers have strong ties to the case. Working for one final time alongside his daughter and proficient legal partner, Marta, who has announced she will close the firm and retire along with her father following the case, Stern must deal not only with "senior moments" before Chief Judge Sonya "Sonny" Klonsky, but also his physical frailty. While taking a deep dive into the ups and downs of a complicated big-time trial, Turow (Testimony, 2017, etc.) crafts a love letter to his profession through his elegiac appreciation of Stern, who has appeared in all his Kindle County novels. The grandly mannered attorney (his favorite response is "Just so") has dedicated himself to the law at great personal cost. But had he not spent so much of his life inside courtrooms, "He never would have known himself." With its bland prosecutors, frequent focus on technical details like "double-blind clinical trials," and lack of real surprises, the novel likely will disappoint some fans of legal thrillers. But this smoothly efficient book gains timely depth through its discussion of thorny moral issues raised by a drug that can extend a cancer sufferer's life expectancy at the risk of suddenly ending it.

A strongly felt, if not terribly gripping, sendoff for a Turow favorite nearly 35 years after his appearance in Presumed Innocent.

Pub Date: May 12, 2020

ISBN: 978-1-5387-4813-8

Page Count: 448

Publisher: Grand Central Publishing

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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