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LOSING HELEN

A book written as much or more for the author as for any readership, but those going through similar trials will take much...

A short and powerful evocation of a mother’s death and of the events immediately preceding them.

The cover categorizes this slice of memoir from Becker (Arts/Columbia Univ. School of the Arts) as an “essay,” and it is also described as a “meditation.” The author begins and ends with her mother’s death, cremation, and interment, but the revelations in the body of the book do more than bring this full circle. “Shame exists even in the shame of feeling ashamed,” writes the author, as she examines how the mixed marriage between her Jewish father and his Catholic bride threatened to generate so much shame that they initially kept it a secret. Rather than developing tolerance, they transferred that stigma to their daughter; her “father disowned [her] several decades ago for having a relationship with a man of mixed race.” Though her love for her parents, and her mother in particular, seems unconditional in these pages, she says that their relationship “had not been easy or comfortable.” As her parents aged, they moved from their native Brooklyn to the warm haven of Florida, where they adjusted to new ways (and new friends) without giving up their own. Her mother was a widow in her 90s when her health started failing, and though the author “had always thought my mother would slip away gently…[t]hat was not the case.” Instead, her decline coincided with a destructive hurricane, leaving other residences leveled and the region without electricity for two weeks. Yet as her mother’s condition had been labeled “Failure to Thrive,” when she was allowed to go home to hospice care, the subtle struggle between mother and daughter eased as well. By the end of the book, Becker has seen death bring “the beginning of a new relationship with my mother,” one evolving through “minor miracles.” Readers may not believe in these, but the author does, absolutely.

A book written as much or more for the author as for any readership, but those going through similar trials will take much solace from the author’s story.

Pub Date: Sept. 12, 2016

ISBN: 978-1-59709-990-5

Page Count: 120

Publisher: Red Hen Press

Review Posted Online: June 21, 2016

Kirkus Reviews Issue: July 1, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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