Going against the grain—as usual—by writing an origin novel as his swan song, Kerr leaves his fans happy.
Kerr's final Bernie Gunther novel takes us back to 1928 and the beloved character's beginnings on Berlin's Murder Commission.
Drafted from Vice, Gunther finds himself on the trail of a prostitute killer who scalps his victims and then a serial murderer who is targeting disabled war veterans. Partly in desperation as the number of victims rises and partly to test a new sleuthing concept devised by his superior, Bernhard Weiss, Gunther agrees to go undercover posing as a klutz, or homeless veteran. His nerves are eased by his unexpected romance with a female makeup artist helping him with his street look. But with Nazism on the rise, Berlin is simmering with violence, cruelty, lies, and casual anti-Semitism. "Everyone who was sympathetic to the Nazis believed that a Jew was just a communist with a big nose and a gold watch," says Gunther in his first-person narration, referring to the supposed red ties of the mensch-y Weiss. Still, Gunther is lifted by his devotion to his job, perfect summer days that are "almost worthy of a short poem by Goethe," and bold new cultural directions. He comes into contact with Lotte Lenya (on a break from rehearsing The Threepenny Opera), artist George Grosz (drawing murder victims on public display in the police morgue, "Berlin's showhouse for the dead"), and scriptwriter Thea von Harbou, wife of Metropolis director Fritz Lang. With its lessons for the Trump era, this book is plenty timely. But completed shortly before the author's death, it is also one of Kerr's most congenial, beautifully controlled, and entertaining works. The banter is priceless.
Going against the grain—as usual—by writing an origin novel as his swan song, Kerr leaves his fans happy.Pub Date: April 9, 2019
ISBN: 978-0-7352-1889-5
Page Count: 384
Publisher: Putnam
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
The astute and unconventional Edwardian pair seem to have entered the pages of a gothic novel for an exhilarating new tale...
An intrepid lepidopterist and her sometime lover are caught up in yet another extravagant adventure in 1888.
Returning to London from Madeira, Veronica Speedwell gets the cold shoulder from her companion in mystery solving, Stoker Templeton-Vane (A Treacherous Curse, 2018, etc.), who’s still furious that he was left out of the unexplained trip. He’s not happy, either, that his elder brother, Tiberius, Lord Templeton-Vane, wants Veronica to accompany him to St. Maddern's Isle off the coast of Cornwall to visit the castle of his old friend Malcolm Romilly, who’s promised to give Veronica some larvae of the Romilly Glasswing butterfly, thought to be extinct. What Tiberius doesn't tell Veronica—yet—is that she'll have to pose as his fiancee to gain the approval of their Catholic host, who wouldn't approve of an unchaperoned single woman. Upon their arrival in Cornwall, they find Stoker, refusing to be left out, waiting to join a group that includes Malcolm; his sister, Mertensia, a tireless gardener; his sister-in-law, Helen; her son, Caspian; and a crew of servants directed by longtime family retainer Mrs. Trengrouse. The island is large enough for farms and a village whose superstitious natives tell tales of piskies and mermaids. Stoker and his brother constantly snipe over Veronica, whom Tiberius works to seduce and Stoker secretly wants to marry. Although she loves Stoker, Veronica fears he’s never gotten over the dreadful marriage that almost killed him and is so independent herself that she’s afraid to commit to more than a physical relationship. Meanwhile, Malcolm’s wife, Rosamund, vanished on their wedding day three years ago, and no one knows whether she’s dead or alive. When Malcolm’s discovery of Rosamund’s traveling bag makes it all but certain that she’s dead, he asks for Veronica and Stoker's help in finding out what happened to her. Slowly, secrets from the past are revealed, and the sleuths find themselves threatened by someone desperate to keep those secrets buried forever.
The astute and unconventional Edwardian pair seem to have entered the pages of a gothic novel for an exhilarating new tale full of wild adventures and treacherous relationships.Pub Date: March 12, 2019
ISBN: 978-0-451-49071-1
Page Count: 336
Publisher: Berkley
Review Posted Online: March 30, 2019
Kirkus Reviews Issue: April 15, 2019
Those not knowing King’s Dark Tower series or The Talisman will follow all this easily enough. Many admiring King’s recent,...
Coauthors King and Straub, together again (The Talisman, 1984), take a Wisconsin Death Trip into parallel universes.
The Fisherman, who copycats long-dead serial killer Albert Fish, has been chopping up little kids in French Landing, Wisconsin, and sending letters to the children’s parents identical to those Fish sent parents 67 years ago—letters never made public, so how does The Fisherman do this? The local police chief asks for help from Jack Sawyer (hero of The Talisman), a Los Angeles homicide detective now in retirement. As a child, Jack flipped into the Territories, the parallel world in The Talisman, but has since forgotten his trip. What about the all-black Black House in the woods? Well, only Charles Burnside (Alzheimer’s) and Tinky Winky Judy Marshall (just plain crazy) know the Black House is the doorway to Abbalah, the entrance to hell—and Judy’s son Tyler is apparently the killer’s fourth victim. Jack’s new buddy, blind Henry Leyden, a radio deejay with four discrete identities no one knows are his, can’t talk Jack into taking the case. But when little Irma Freneau’s gnawed foot arrives in a shoebox on Jack’s welcome mat, Jack flips and lands in the Territories. The Territories confer a sacred magic and, in Jack’s case, absolute luck that lets him win his every bet or endeavor. Tyler, it happens, is telekinetic, and has been abducted by the Crimson King. All universes are held in place by the Dark Tower, the great interdimensional axle the Crimson King wants to destroy. Jack must save Tyler from the furnace-lands below Black House—and here the novel strives for depth, though interest dwindles.
Those not knowing King’s Dark Tower series or The Talisman will follow all this easily enough. Many admiring King’s recent, subtler work, though, may find these blood-spattered pages a step backward into dreamslash & gutspill.Pub Date: Sept. 15, 2001
ISBN: 0-375-50439-7
Page Count: 640
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2001
IN THE NEWS
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
