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MO'S BOWS

A YOUNG PERSON'S GUIDE TO STARTUP SUCCESS: MEASURE, CUT, STITCH YOUR WAY TO A GREAT BUSINESS

This up-and-coming creative will definitely inspire many young people with his positive, confidence-boosting startup guide.

An entrepreneurial phenom offers advice to similarly inclined kids.

At 9, Mo Bridges struggled to sew his first bow tie under the loving mentorship of his granny. At 11, he landed a deal on the TV show Shark Tank as one of its youngest entrepreneurs. Currently the 17-year-old owner of a successful bow-tie business, Bridges pens his first guide for young entrepreneurs. The book is divided into segments that explain the approach behind his strong startup, Measure, Cut, Stitch. He deftly points out the difference between undertaking hourly labor and the way a sharp entrepreneur thinks, using mowing lawns as an example. Working at $8 an hour for five hours nets $40, but charging $20 per lawn can, at five lawns in a day, garner $100. Numbers aside, Bridges alludes to crafting a genuine story, building relationships, and mastering social media to gain a loyal customer base. His ingenuity landed him a licensing deal with the NBA and even the opportunity to design the “Obama Blue Bow Tie.” Growing older into high school, he shares the story of his frustration with his new “hideous” school uniform, transcending it by following the advice in his own pep talk that he gives to others, to “stay true to yourself,” and successfully produces his first stylish necktie that would become a signature addition to his uniform. Numerous black-and-white photos depict the young, bow-tie–clad African American entrepreneur.

This up-and-coming creative will definitely inspire many young people with his positive, confidence-boosting startup guide. (glossary) (Memoir. 11-14)

Pub Date: Oct. 15, 2019

ISBN: 978-0-7624-9251-0

Page Count: 176

Publisher: Running Press Kids

Review Posted Online: June 9, 2019

Kirkus Reviews Issue: July 1, 2019

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ONCE UPON A MARIGOLD

From the Marigold Trilogy series , Vol. 1

Cold indeed is the heart not made warm by this bubbly fairy-tale romance. Raised by a kindly forest troll, Christian knows little of the world beyond what he can see through his telescope, but gazing upon a nearby castle, he falls head over heels for Princess Marigold. What chance has he, though, as a (supposed) commoner? When at last he nerves himself to send her a message via carrier pigeon, she answers and the courtship is on—via “p-mail” at first, then, after he lands a job as a castle servant, face to face. Setting numerous fairy-tale conventions just a bit askew, Ferris (Of Sound Mind, 2001, etc.) surrounds her two smart, immensely likable teenagers, who are obviously made for each other, with rival suitors, hyperactive dogs, surprising allies, and strong adversaries. The most notable among the last is devious, domineering Queen Olympia, intent on forcing Marigold into marriage with a penniless, but noble, cipher. The author gets her commonsensical couple to “I Do” through brisk palace intrigue, life-threatening situations, riotous feasting, and general chaos; Queen Olympia gets suitable comeuppance, and the festivities are capped by the required revelation that Christian is actually heir to the throne of neighboring Zandelphia. Fans of Gail Carson Levine’s Princess Tales will be in familiar territory here, as well as seventh heaven. (Fiction. 11-13)

Pub Date: Oct. 1, 2002

ISBN: 0-15-216791-9

Page Count: 272

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2002

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WHAT'S SO FUNNY?

MAKING SENSE OF HUMOR

Starting with an overview of how researchers look at humor, this uneven guide to a topic with potentially high kid-appeal...

A light introduction to the appealing, complicated subject of humor lacks the depth to do it justice.

Starting with an overview of how researchers look at humor, this uneven guide to a topic with potentially high kid-appeal meanders through loosely connected aspects of humor, offering anecdotes, quotes from experts and intriguing facts. Short chapters touch on the anatomy of laughter and the history of laugh tracks. A longer chapter discusses how humor differs between genders, among cultures and age groups and throughout history. Readers may be most interested in the final chapter on stand-up comedy and how to be funny. Jackson relies heavily on quotes from interviews with humor experts, working their names and titles awkwardly into the text. The academic nature of the quotes, suitable to a more substantial study of humor, jars with the author’s otherwise conversational, entry-level approach to the subject, raising questions about the intended audience. Generic cartoonish pictures and occasional jokes in boldface type illustrate points made in the text. Short sidebars explore topics such as the funny bone, tickling and texting abbreviations about humor.

Pub Date: June 9, 2011

ISBN: 978-0-670-01244-2

Page Count: 64

Publisher: Viking

Review Posted Online: May 3, 2011

Kirkus Reviews Issue: May 15, 2011

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