The leaps between reality and supernatural fantasy are just too hard to navigate.
A woman in prison must fight violent inmates and suspicious ghosts to find some measure of redemption.
Jess Moulson wakes up in the hospital with no memory of where she is or what has happened. High on heroin, she started a fire that burned her own face beyond recognition, severely injured her addict boyfriend, and led to 10-year-old Alex Beech’s death by smoke inhalation. Jess is found guilty of Alex’s murder and sentenced to Fellside, a notorious women’s prison in the remote Yorkshire moors. Alex’s ghost visits her in prison, assuring her that she was not the one who hurt him and begging her to uncover the truth behind his murder. Soon Jess is projecting into “the Other World” with Alex while simultaneously navigating the very dangerous real world of Fellside. Sociopathic inmate Harriet Grace rules the hierarchy. With the help of a corrupt guard, she controls a lucrative drug ring that operates within the prison walls. Jess sets out to solve the boy’s murder and expose Grace, but gradually she realizes that Alex is not who she thought he was, and she may be trusting a false ghost. This novel may appeal to those who like ghost stories, but its success requires an extreme suspension of disbelief. The problem is that most of the novel is relatively realistic and grim, so it’s rather a lot for the reader to openly accept the ghost/astral projection angle when Jess begins to walk through other inmates’ dreams and visit “the Other World” populated by people’s souls. The mystery of Alex does have a satisfying answer, but in the end, there are too many loose ends to tie up.
The leaps between reality and supernatural fantasy are just too hard to navigate.Pub Date: April 5, 2016
ISBN: 978-0-316-30028-5
Page Count: 496
Publisher: Orbit/Little, Brown
Review Posted Online: Jan. 20, 2016
Kirkus Reviews Issue: Feb. 1, 2016
As tangled and turbulent as the hero’s nightmares, and that’s saying quite a bit.
Having survived his tempestuous debut, P.T. Marsh, of Georgia's Mason Falls Police Department, is back for more—including some residue from that first case that just won’t go away.
Dispatched like an errand boy to wealthy real estate mogul Ennis Fultz’s home to find out why he hasn’t joined his bridge buddies, Mayor Stems and interim police chief Jeff Pernacek, for their monthly game, Marsh and his partner, Remy Morgan, find Fultz dead in his bed. It turns out that his passing, devoutly longed for by so many of the people he’d crushed or outwitted on his way to the top, was helped along by the strategic dose of nitrogen somebody substituted for the oxygen he inhaled regularly, especially when he was expecting particular demands on his virility. Marsh and Morgan quickly focus on two candidates who might have made those demands: Suzy Kang, a recent visitor who was so eager to cover any traces that she’d been to Fultz’s house that she sold the car she’d driven there, and Connie Fultz, the victim’s ex-wife and perhaps his current lover, who acidly swats them away and tells them: “Look for some little gal who’s into bondage.” McMahon excels in sweating the procedural details of the investigation, which take the partners from a search for Suzy Kang and that missing car to a not-so-accidental car crash that’s evidently targeted a young girl who has no idea she’s implicated in the case. But he’s set his sights higher, taking in everything from a civil suit the relatives of the perp Marsh shot in The Good Detective (2019) have launched against him to a possible conspiracy behind the deaths of his deeply grieved wife and son, all of it larded with Georgia attitude and truisms, a few of which rise to eloquence (“I wasn’t good at faith. I was good at proof”).
As tangled and turbulent as the hero’s nightmares, and that’s saying quite a bit.Pub Date: March 3, 2020
ISBN: 978-0-525-53556-0
Page Count: 368
Publisher: Putnam
Review Posted Online: Dec. 8, 2019
Kirkus Reviews Issue: Jan. 1, 2020
BOOK REVIEW
BOOK REVIEW
The secrets of the past refuse to keep quiet in this disquieting, taut thriller.
Thirty years ago, Seattle Police Capt. Edward Shank put down a serial killer dubbed the Butcher. Edward’s bullet ended Rufus Wedge’s sorry life. But did the killings end?
Hillier’s (Freak, 2012, etc.) third thriller fairly shudders with tension. Edward is ready to retire to an assisted living facility and give his grandson, Matt, the family home, a beloved Victorian in a posh neighborhood. An up-and-coming chef, Matt has parlayed his successful food-truck business into Adobo, the hottest restaurant in town, and the reality show networks are calling. The only trouble is that his girlfriend, Samantha, can’t understand why Matt hasn’t invited her to move in, too. After all, they’ve been together for three years. Pressuring Matt, though, isn’t getting her anywhere, and even their friend—well, really Sam’s friend—Jason is a little mystified. Certainly, Matt’s history of anger management trouble gives Jason pause. While Matt renovates the house and works late, Sam turns back to researching her latest true-crime book. This time, she has a personal investment. She’s convinced that her mother was killed by the notorious Butcher. Bored at the retirement home, Edward has become an invaluable sounding board. Like the Butcher’s other victims, Sam’s mother was raped, strangled and left in a shallow grave. Unfortunately for Sam’s theory, her mother was killed two years after Rufus Wedge’s death. Meanwhile, Matt’s contractor has unearthed a crate filled with gruesome artifacts. As Matt investigates the crate’s contents and Sam questions a mysterious informant, their romance unravels and the body count begins to rise. Hillier sends her reader into a labyrinth of creepy twists and grotesque turns. There’s no escape from the brutal truths exposed.
The secrets of the past refuse to keep quiet in this disquieting, taut thriller.Pub Date: July 15, 2014
ISBN: 978-1-4767-3421-7
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: June 17, 2014
Kirkus Reviews Issue: July 1, 2014
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