by M.T. Bass ‧ RELEASE DATE: Oct. 22, 2019
An entertaining character study and effective thriller.
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A law firm’s fixer finds himself on trial for murder after his latest job takes a deadly turn.
“ ‘We have this client with a…special request.’ Griff shook his head. ‘It always starts this way, doesn’t it?’ ” That’s how this series opener begins, and it’s a mostly auspicious one. Griffith Crowe is “a badass,” a “tall, dark and dangerous” former Navy SEAL and pilot whose past exploits are intriguingly hinted at when his college friend/fellow veteran/high-octane law firm rainmaker calls on him for another “sensitive matter.” “Am I going to regret this––again?” Crowe asks of the request to retrieve a $1 million Jackson Pollock painting purloined by Helena, a client’s ravishing ex-wife. Turns out that’s just a MacGuffin; the real assignment is to retrieve for Helena personal items that belonged to her recently deceased father, including his private journals. That part isn’t too taxing; the tricky bit is that once Crowe gets them, he and Helena become targets. Why? Perhaps her father’s helicopter mishap was not an accident. Suspects include Helena’s estranged half brother, who owns 50% of the shares in their father’s company. The company’s managing director owns a “tie-breaker” number of shares, but he is bumped off. And when a rising young associate at a law firm also winds up dead, Crowe is arrested. All that readers need to know about Bass’ (Murder by Munchausen, 2019, etc.) intended tone for the book can be glimpsed in the author’s photograph, which depicts the novelist pointing a gun at his typewriter. More often than not, his sentences achieve just the right temperature for hard boil, as in this scene setter: “A place where grand strategies” and harebrained “schemes were incubated, hatched and sometimes celebrated, sometimes autopsied.” Or this response when one character is asked about the rationale for shooting someone five times: “Because when I squeezed the trigger a sixth time, it just went click.” Crowe makes for a compelling enough leading man, but the novel’s breakout character is “crusty old country lawyer” E.L. Johnson. His enjoyable courtroom antics strike just the right Matlock note. The Pollock misdirection muddles things early on, and the banter between femme fatale Helena and Crowe is lame, but once those are dispensed with, the story twists and turns with ease. The sequel could use a little more polish and a lot more Johnson.
An entertaining character study and effective thriller.Pub Date: Oct. 22, 2019
ISBN: 978-1-946266-11-8
Page Count: 350
Publisher: Electron Alley Corporation
Review Posted Online: Oct. 11, 2019
Kirkus Reviews Issue: Jan. 1, 2020
Review Program: Kirkus Indie
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by M.T. Bass
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by M.T. Bass
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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