A thought-provoking novel for readers willing to navigate its dense political and philosophical terrain.
Boyner’s ambitious political thriller plunges readers into the fractured Republic of Estaran near the Iberian Peninsula, where idealism clashes with ruthless pragmatism.
In 1940, Sark Efni, Estaran’s president-select who once served as the nation’s Minister of Interior, struggles to maintain control of a country in turmoil as insurgencies erupt and loyal allies fall. His main adversary, though, is the enigmatic Esin Largaz—the Chief of the General Staff, who orchestrates a ruthless military coup that reshapes the nation. The relatively brief narrative features high-stakes political maneuvering, full of tense standoffs, assassinations, and strategic gambits, which make for an intriguing contrast with the more intimate, reflective moments between Sark and his significant other, Ely: “Every night before bed…Sark and Ely lay close to one another after tangling the sheets and just spoke. They talked about politics, philosophy, economics, theology, the past, the future... everything.” Throughout, the book’s plotting is intricate, and the stakes are convincingly dire. However, the prose often falters under the weight of its ambition. Lengthy expository monologues and repetitive ideological speeches slow the pace and sometimes feel more like lectures than organic dialogue: “But there is an enormous gap between those who are here and those who, for example, live in rural regions. The cultural gap is growing, and one day it will be so wide it will be impossible to close. Resentment will take root, assuming, of course, it has already not done so.” As such, the novel is thematically rich but uneven in style. In addition, abrupt shifts between violent action and introspective musing may jar the reader. Still, the story’s exploration of power, loyalty, and the fragility of idealism is compelling, and the tension between public chaos and private intimacy gives the book emotional depth. The ultimate sense of suspense—leaving readers with the promise of rebellion and upheaval—ensures that the narrative lingers in the mind. Fans of meticulous dystopian political thrillers may appreciate its scope, although those seeking fast-paced, character-driven storytelling may find it heavier going.
A thought-provoking novel for readers willing to navigate its dense political and philosophical terrain.Pub Date: Oct. 22, 2025
ISBN: N/A
Page Count: 226
Publisher: N/A
Review Posted Online: Nov. 7, 2025
Review Program: Kirkus Indie
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
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