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A FAR CRY FROM KENSINGTON

With all the wit and stylistic aplomb we've come to expect of her, Spark casts a withering glance at some fringe characters who people London literary life at mid-century. But the merely odd—goofy publishers, fatuous editors, etc.—takes an evil turn, as this delightful comedy of manners reveals a darker tale of obsessions and revenge. What keeps things relatively light here is Spark's unflappable narrator, a young war widow who proves to be a talented "general do-all" for a number of publishing houses. Though only 28, Mrs. Hawkins is treated as "a matronly goddess of wisdom" both by her colleagues at work and her fellow boarders at a rooming house in So. Kensington. A compulsive advice-giver, this "remarkably reliable woman" also takes on the troubles of others, partly because her own obesity deprives her of a rich private life. All of her problems begin, however, when she lets slip a devastating criticism of one particular literary ne'er-do-well, Hector Bartlett, a hack whom she terms a "pisseur de copie"—"a urinator of journalistic copy." Her refusal to recant this catchy epithet gets her fired from her first job with a failing firm run by a sodden embezzler. Her next employer, the house of Mackintosh & Tooley, hopes to publish the work of Bartlett's mentor, a talented novelist who would just as soon be rid of him. But Mrs. Hawkins, all the while peeling off pounds, refuses to edit Bartlett's execrable manuscript, The Eternal Quest. Though she eventually finds work as managing editor of a highbrow quarterly run by two American refugees from McCarthyism, the slimmed-down Mrs. Hawkins—who now calls herself by her first name, Nancy—discovers that Bartlett is behind a number of strange doings back at the rooming house. A bizarre series of events involving her fellow boarder, a nervous Polish dressmaker, leads to the latter's suicide, the result of Bartlett's psychosexual manipulations, all of which have been unknown to Nancy, upon whom he hoped to wreak ultimate vengeance. A postscript set 30 years later confirms the power of her accurate epithet for the loathsome miscreant. Spark treats the reader to Mrs. Hawkins' common-sensical advice on everything from weight-loss and insomnia to marriage and religion. But the greater pleasure comes from the surprising tidiness of this gently moral tale.

Pub Date: July 18, 1988

ISBN: 9780811214575

Page Count: -

Publisher: Houghton Mifflin

Review Posted Online: Sept. 18, 2013

Kirkus Reviews Issue: June 15, 1988

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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