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A FAR CRY FROM KENSINGTON

With all the wit and stylistic aplomb we've come to expect of her, Spark casts a withering glance at some fringe characters who people London literary life at mid-century. But the merely odd—goofy publishers, fatuous editors, etc.—takes an evil turn, as this delightful comedy of manners reveals a darker tale of obsessions and revenge. What keeps things relatively light here is Spark's unflappable narrator, a young war widow who proves to be a talented "general do-all" for a number of publishing houses. Though only 28, Mrs. Hawkins is treated as "a matronly goddess of wisdom" both by her colleagues at work and her fellow boarders at a rooming house in So. Kensington. A compulsive advice-giver, this "remarkably reliable woman" also takes on the troubles of others, partly because her own obesity deprives her of a rich private life. All of her problems begin, however, when she lets slip a devastating criticism of one particular literary ne'er-do-well, Hector Bartlett, a hack whom she terms a "pisseur de copie"—"a urinator of journalistic copy." Her refusal to recant this catchy epithet gets her fired from her first job with a failing firm run by a sodden embezzler. Her next employer, the house of Mackintosh & Tooley, hopes to publish the work of Bartlett's mentor, a talented novelist who would just as soon be rid of him. But Mrs. Hawkins, all the while peeling off pounds, refuses to edit Bartlett's execrable manuscript, The Eternal Quest. Though she eventually finds work as managing editor of a highbrow quarterly run by two American refugees from McCarthyism, the slimmed-down Mrs. Hawkins—who now calls herself by her first name, Nancy—discovers that Bartlett is behind a number of strange doings back at the rooming house. A bizarre series of events involving her fellow boarder, a nervous Polish dressmaker, leads to the latter's suicide, the result of Bartlett's psychosexual manipulations, all of which have been unknown to Nancy, upon whom he hoped to wreak ultimate vengeance. A postscript set 30 years later confirms the power of her accurate epithet for the loathsome miscreant. Spark treats the reader to Mrs. Hawkins' common-sensical advice on everything from weight-loss and insomnia to marriage and religion. But the greater pleasure comes from the surprising tidiness of this gently moral tale.

Pub Date: July 18, 1988

ISBN: 9780811214575

Page Count: -

Publisher: Houghton Mifflin

Review Posted Online: Sept. 18, 2013

Kirkus Reviews Issue: June 15, 1988

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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