You know you're in the hands of a master when her sleek and suggestive new novel, a sophisticated comedy of manners, is so smart and seductive that you fail to notice how completely you've accepted a world gone utterly awry. Tom Richards, a prominent British film director, wakes in the hospital a near-cripple; days earlier he'd fallen off a crane while lensing a key scene in his latest effort, The Hamburger Girl, a Proustian mediation on a fleeting event: a real-life tableau from southern France of a girl preparing lunch on an outdoor grill. Tom's fantasizes about endowing this young woman with a fortune, a possibility that's nurtured by the huge wealth of his wife, Claire, an American cookie heiress who endures Tom's on-the-set adulteries by engaging in some illicit affairs of her own. Together, the two put up with their disappointing daughter, Marigold, a dull and censorious creature. Something of a ``natural disaster,'' Marigold cannot equal Tom's beautiful daughter from a previous marriage, Cora, who comes to his aid when Marigold disappears, an event covered in sordid detail by all the tabloids. A student of the ``redundancy'' that seems to be affecting everyone in England- -literally at work, and metaphysically at home—Marigold has hidden out among the less fortunate classes, paying back her parents for years of neglect. When Tom's film resumes production, reality and dream further intertwine: Actors confuse their roles with life, Tom's family behaves as if they were in a movie, and Tom himself rants on to his devoted new friend, a West Indian taxi driver with an absolutist sense of morality: a perfect antidote to all the sexual and emotional games being played on this social merry-go- round. The only reason we're never dizzy here is that Spark (A Far Cry from Kensington, 1988, etc.) remains in total control at all times: She can summon a world with a single gesture, a character with one seemingly artless remark. Profound art disguised as a lark.
Pub Date: April 28, 1997
ISBN: 0-395-83811-8
Page Count: 160
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1997
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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