In one of those literate and hip novels that are more about the head than the heart, an unexpected encounter with mortality is the catalyst for a family of urban sophisticates to examine their lives and finally grow up. Set in Boston and New York, Goldberg's debut novel (after the collection Whistling, 1993) offers a wry portrait of a time and a class, with a muted subtext that ponders the role of mothers. The time (the free-spending '80s) and the class (the educated self- regarding class that clusters in Cambridge and New York) are part of a story that echoes Shakespeare's As You Like It. Thus the female lead is called Rosalind; what happens to her transforms the supporting cast of family members in ways they don't expect and the affirming final chapter takes place, appropriately, in the woodsy Adirondacks, where the family summers. When 37-year-old Rosalind, a successful therapist, undergoes emergency heart surgery in Boston, the intimations of mortality concentrate not only her mind but also affect siblings Lev and Lila, husband Henry, mother Stella, and daughters Nana and Sophie. Though Rosalind has a beautiful face, she's grossly overweight because only food had assuaged her in times of trouble—like when her first husband abandoned her and left her with then baby Nana. Now, while Rosalind, sure she's dying, gorges on junk food, Nana and Sophie, faced with their mother's illness, become more self-reliant; Henry, an architect and idealist who's been supported by Rosalind, finds a job; Lila determines to persevere with her art; and Rosalind and Stella make peace. Grown up at last, in New York's equivalent of Arden's forest, Rosalind and her family accept ``the revelation of the ordinary'' and the need to continue even in the fact of death. Rites of passage for the boomers—whose angsts, even when life-threatening, seem overanalyzed and overblown—coolly observed in taut, edgy prose.
Pub Date: April 1, 1996
ISBN: 0-944072-59-3
Page Count: 304
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1996
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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