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WATCH ME FLY

WHAT I LEARNED ON THE WAY TO BECOMING THE WOMAN I WAS MEANT TO BE

A poignant memoir by one of our nation’s most admired African-American women, written with the assistance of journalist Blau. Widow of assassinated civil rights leader Medgar Evers who has herself served as chairwoman of the NAACP, Evers-Williams chronicles her own evolution and turning points, while offering practical advice to readers. Though her tone is occasionally preachy and her prose is a bit uninspired, she offers a glimpse into not only one woman’s struggles, but, indirectly, into those of a nation. When she first married Evers, she not only resented the time he spent away from her but didn—t even share his “zeal for the cause.” For, raised by her paternal grandparents in a professional, middle-class setting, Evers-Williams had been largely sheltered from the poverty and discrimination that devastated the lives of many African-Americans. As the wife of an activist, however, she soon enough was exposed to the blatant racism that poisoned much of the South. At the height of Medgar Evers’s efforts, ominous phone calls and other harassments pervaded their family life. Following the murder of her husband, Evers-Williams fought the good fight as a single mother; her determination to raise her three children in a more humane environment led her not only to civil rights but to human rights in a broader context. Among her many personal triumphs was her success in seeing her husband’s assassin finally convicted decades after the murder. In her 60’s, while nursing her second husband in his final stages of prostate cancer, Evers-Williams rose to the number-one position in the NAACP, helping to save it from numerous financial and political disasters that plagued the organization. Crediting much of her success in overcoming adversity to her deep faith in God, she refers to herself as “still-growing, . . . a work in progress.” Driven by passion, this book instructs and inspires.

Pub Date: Feb. 1, 1999

ISBN: 0-316-25520-3

Page Count: 256

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1998

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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