by Myron Uhlberg & illustrated by Sonja Lamut ‧ RELEASE DATE: March 1, 2001
Uhlberg (Mad Dog McGraw, 2000, etc.) presents a properly poker-faced retelling of a popular European folktale. Lemuel the fisherman finally makes good on his dream of visiting a magical town he is sure sits just over the horizon. Aiming his boat in the direction of the red scarf he's tied to the bow, he is caught up in a storm and temporarily loses consciousness. No matter, the scarf still points the way. But when he arrives, he's astonished to discover that the streets, buildings, and people look just like those in his native village. Even more amazing, there's a boy who looks just like his son Sol and a woman who could not only be his wife Essie's twin, but she even knows his name! It's all too weird; Lemuel sneaks away that night, and after falling asleep in mid-voyage, "returns" to his own home. The tale's mild humor is picked up nicely in Lamut's airy paintings; nearly all of her neatly drawn people go about their business cheerfully among well-kept, tile-roofed houses, and despite her sharp-sounding words, Essie always greets her foolish husband with a fond smile. This rib-tickler should induce many a young armchair traveler to pay a visit to Chelm or Gotham. (Picture book/folktale. 6-8)
Pub Date: March 1, 2001
ISBN: 1-56145-220-3
Page Count: 32
Publisher: Peachtree
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2001
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by Stephanie Stuve-Bodeen & illustrated by Christy Hale ‧ RELEASE DATE: Sept. 1, 1998
Charmed by her new baby brother, Elizabeti decides that she wants a baby of her own; she picks up a smooth rock, names it Eva and washes, feeds, and changes her, and carries her about in her cloth kanga. Hale dresses Elizabeti and her family in modern, brightly patterned clothing that practically glows against the earth-toned, sketchily defined Tanzanian village in which this is set. Although Eva appears a bit too large for Elizabeti to handle as easily as she does, the illustrations reflect the story’s simplicity; accompanied by an attentive hen, Elizabeti follows her indulgent mother about, mimicking each nurturing activity. The object of Elizabeti’s affection may be peculiar, but the love itself is real. Later, she rescues Eva from the fire pit, tenderly cleans her, then cradles the stone until she—Elizabeti—falls asleep. Stuve-Bodeen’s debut is quirky but believable, lightly dusted with cultural detail, and features universal emotions in an unusual setting. (Picture book. 6-8)
Pub Date: Sept. 1, 1998
ISBN: 1-880000-70-9
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1998
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by Bill Martin & Michael Sampson & illustrated by Chris Raschka ‧ RELEASE DATE: Oct. 1, 2002
This attempt to explain the Pledge’s meaning to younger children is at least as simplistic as it is enlightening. Using a combination of torn paper and simple, fluidly brushed strokes, Raschka (Be Boy Buzz, p. 1310, etc.) supplies a brightly colored backdrop of stylized children and adults, against which the Pledge’s words, generally one by one, are printed in large type and glossed in smaller: “God. Many people believe that a democracy is how God thinks—every single person is important.” Martin and Sampson (Tricks or Treat?, below, etc.) fill in bits of the historical background, mentioning Frances Bellamy, the Pledge’s original composer, but not that his version was very different from the present one, and closing with a dizzying recapitulation: “The flag stands for our history, our inventions, our music, sports, literature, faith . . . ” Children curious about the meaning of what so many of them are compelled to promise every morning in school will get less lyrical, but more factual, commentary from June Swanson’s I Pledge Allegiance (1990). (Picture book. 6-8)
Pub Date: Oct. 1, 2002
ISBN: 0-7636-1648-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2002
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