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THE SOUND OF ALL THINGS

A tender demonstration of how familial love is like translation—inexact, difficult, and beautiful.

Uhlberg draws from his experiences with his deaf parents for this tale of mid-20th-century Brooklyn.

"Many things are loud. Please tell me better," the narrator’s father asks. Thus the son of deaf parents finds himself interpreting not only language, but sound itself. His father, who retains faint memories of hearing, insists that his son’s descriptions enable him to hear "in [his] mind." But expressing something as abstract as sound is daunting for a child, as an outing to bustling Coney Island illustrates. Papoulas' vivid paintings animate the setting and sentiment with photographic attention to faces and period details, silently evoking a din of everyday noises that seems impossible to convey. The narrator's frustration evokes sympathy, his squinting concentration palpable as he signs the woefully inadequate "loud." Despite his frequent use of figurative language—a roller coaster is "like thunder," and ocean waves crash "like a hammer"—he still doesn't have enough words. Finally, he asks a resourceful librarian for books on how to describe sound, and she returns with a promising volume of poetry. The narrator deftly and respectfully describes his conflicting feelings of love and resentment, sometimes envying other children who don't have to interpret for their fathers, but love wins out. Their affection for each other beams from their faces and hands.

A tender demonstration of how familial love is like translation—inexact, difficult, and beautiful. (author's note) (Picture book. 6-10)

Pub Date: March 1, 2016

ISBN: 978-1-56145-833-2

Page Count: 36

Publisher: Peachtree

Review Posted Online: Jan. 8, 2016

Kirkus Reviews Issue: Jan. 15, 2016

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WEDGIE & GIZMO

From the Wedgie & Gizmo series , Vol. 1

Gizmo is more droll than likable, but Wedgie is attractively steadfast and amiable, in the end rescuing both Gizmo and the...

When families get blended, so do their animals. Gizmo, a genius guinea pig who can read and wears eyeglasses, and Wedgie, a much less intelligent corgi who wears a superhero cape, each alternately relate their interwoven stories in distinct first-pet voices.

Unfortunately for the guinea pig, his owner, Elliot, is forced to let his new, annoying little sister, Jasmine, help take care of Gizmo. Jasmine enjoys dressing him up in tutus and housing him in Barbie’s lavish (pink) former abode. But Gizmo is an intrepid sort of critter with evil plans to rule the world, and he does find Barbie’s rucksack useful for carrying gear as he engages in some nighttime adventures, not all of them successful. Through comments Elliot makes, readers learn of his unhappiness with his new family situation, although this second storyline takes a back seat to Gizmo’s scheming. Acting as his and Elliot’s foil, Wedgie, who calls Gizmo “the Furry Potato,” is convincingly doglike in his eager embrace of just about everything. Fisinger’s numerous illustrations are action-packed and appropriately humorous, especially in their depiction of Wedgie’s never-ending enthusiasm. An opening gallery introduces Jasmine’s family as Latino and Elliot and his father as black. While the tale is never laugh-out-loud funny, it’s amusing and imaginative enough to sustain interest for readers new to chapter books.

Gizmo is more droll than likable, but Wedgie is attractively steadfast and amiable, in the end rescuing both Gizmo and the story. (Fantasy. 7-10)

Pub Date: Aug. 22, 2017

ISBN: 978-0-06-244763-0

Page Count: 176

Publisher: Katherine Tegen/HarperCollins

Review Posted Online: May 9, 2017

Kirkus Reviews Issue: June 1, 2017

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MY LITTLE BRAVE GIRL

Well-meaning and with a lovely presentation, this sentimental effort may be aimed more at adults than kids.

Little girls are given encouragement and assurance so they can meet the challenges of life as they move through the big, wide world.

Delicately soft watercolor-style art depicts naturalistic scenes with a diverse quintet of little girls portraying potential situations they will encounter, as noted by a narrative heavily dependent on a series of clichés. “The stars are high, and you can reach them,” it promises as three of the girls chase fireflies under a star-filled night sky. “Oceans run deep, and you will learn to swim,” it intones as one girl treads water and another leans over the edge of a boat to observe life on the ocean floor. “Your feet will take many steps, my brave little girl. / Let your heart lead the way.” Girls gingerly step across a brook before making their way through a meadow. The point of all these nebulous metaphors seems to be to inculcate in girls the independence, strength, and confidence they’ll need to succeed in their pursuits. Trying new things, such as foods, is a “delicious new adventure.” Though the quiet, gentle text is filled with uplifting words that parents will intuitively relate to or comprehend, the esoteric messages may be a bit sentimental and ambiguous for kids to understand or even connect to. (This book was reviewed digitally with 10.5-by-19-inch double-page spreads viewed at 50% of actual size.)

Well-meaning and with a lovely presentation, this sentimental effort may be aimed more at adults than kids. (Picture book. 6-8)

Pub Date: March 23, 2021

ISBN: 978-0-593-30072-5

Page Count: 32

Publisher: Random House

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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